John and Molly: no cinnamon rolls

 (Sherlock meta by 

darlingbenny, missdaviswrites, fuckyeahfightlock and notagarroter)

darlingbenny:

I've never loved John more than when he punched the police dude in the face for calling Sherlock weird he’s my most favourite John. I LOVE HIM.

missdaviswrites:

Notice though: this is not self-dense or saving Sherlock’s life. This is assaulting a police officer. It’s a small step from here to attacking Sherlock when he returns and then just another step to hitting and kicking him in The Lying Detective. So maybe everyone shouldn’t be so quick to say s3 and s4 John is out of character?

fuckyeahfightlock:

I love John Watson and all his flaws but of the two leads in Sherlock, it’s clear which one is more likely to be a diagnosable sociopath we’re all lucky is on the side of the angels.

missdaviswrites:

I think Sherlock is just as abusive toward John (if not more so over the course of all the episodes) it’s just that his abuse isn’t physical. All the violence doesn’t bother me since the show is clearly not dealing with how real people should/can act in real life (or everyone on it would be dead or in jail). Including Mrs. Hudson, apparently. But not Molly–she’s more like a real person to me, which is the reason I can’t ship her with Sherlock–I want to tell her to run away, there’s no way he could be good for you!

notagarroter:

Molly Hooper:

– is aroused by someone whipping a corpse
– invites a buddy to come play with the body of her dead colleague
– bends the morgue rules for her crush
– gives her buddy thumbs and severed heads to play with (we don’t for sure know these came from Molly in canon, but it seems likely.)
– breaks idek how many laws and regulations helping Sherlock fake his death
– makes it pretty clear she doesn’t care if he’s a good guy or a bad guy, she’ll help him no matter what
– admits that sociopaths are “just her type”
– chats on the phone with friends while carving up dead bodies
– uses an actual human brain as a comedy prop
– considers physical violence an appropriate response to someone struggling with drug addiction

Look, I love Molly Hooper to bits. But she’s no cinnamon roll – she’s as fucked up as everyone else in this show.

This is the way they introduce Mary on the show

 (Sherlock meta by fuckyeahfightlock, cumberbear, 221beemine and cartopathy)

fuckyeahfightlock:



So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

cumberbear:

I love this, it’s brilliant. Just want to add… the black hat, I’ve never even noticed this before but it completely blocks out every part of her head/face, you can’t even see her hair. To me it’s like a nod to the ‘real’ Mary, the assassin who we see in HLV dressed all in black with a gun to Sherlock. That’s what people do when they do bad things, they dress to disguise and hide themselves so as not to be recognisable. They’ve put her in that staple ‘bad guy’ hat (when they so easily could have had her in something lighter/less threatening) right from the very start. They’re telling us from the first second we see her that she’s not to be trusted. Just brilliant.

221beemine:

So good. All these little hints—even the first time I saw the promo shot of her from before S3, in her purple dress with the black jewels, I thought “what a film noir femme fatale”—the black jewelry really had an impact on character design. Imagine if she had been decked in pearls instead on the night of the engagement scene? These little touches add so much.

If I have any predictions about S4 or the Christmas special, it’s that Mary is going to be dressed in a lot of red, her other major defining color. Gray, red, that smoky purple, black—these are her mystery/assassin colors; blue is in scenes where she is strongly aligned with John (reading the blog/shaving scene; planning the wedding with John and Sherlock).

cartopathy:

I like too that it’s the same view of her that Sherlock gets when he walks in on her in CAM’s office. It’s like, when she finally turns around in that scene, she is finally turning around in this scene to look at us. To reveal herself.

But here she doesn’t turn around, because here she is still disguised. That means that Mary Morstan, the woman John married, is not in any way the real person who is here.

With John she is completely disguised. We don’t see her, we don’t even see a glimpse of who she is with John.

We don’t see a glimpse of who she really is until she shoots Sherlock.