Showing posts with label TGG. Show all posts
Showing posts with label TGG. Show all posts

Saturday, 25 February 2017


Sherlock and Molly: The Great Game of Attraction
 (Sherlock meta by penelope1730)

 A friend and I were recently talking Sherlock, when I said I thought The Great Game was one of the most shippiest Sherlolly episodes that tends to get over-looked. Not in the romantic sense, but one that indicates Sherlock is attracted to Molly. It’s always been easy to see Molly’s attraction and she’s caught a lot of flack for her ‘unrequited’ love. But, now it’s time to put Sherlock’s feet to the fire to show she’s not the only one. While I’m convinced, I’ll let you all decide for yourselves.

Fair warning – this is long, but there’s a lot of ground to cover.

The Great Game was the first episode that demonstrated, to me, Molly’s attraction toward Sherlock is not one-sided. That he, too, has been attracted to her, possibly from the very beginning, causing feelings he’d rather suppress, than address. Even more so, it gives the audience an incredible amount of data about Sherlock’s thoughts and emotional journey. Hints and signs were present prior to this episode, but they were so small as to be over-looked or dismissed.

As with most episodes of Sherlock, the primary focus and storytelling centers on he and John Watson’s adventures. This doesn’t mean other things aren’t happening in the background – giving the audience a plethora of information. That’s the beauty of subtext, off-screen implication, and finding clues the writers gives us. After all, no one knew Sherlock was investigating Mycroft’s stolen missile defense plans until the episode was almost over.

The Great Game begins in Belarus. Sherlock is interviewing a man in prison for murdering his wife by stabbing. It was a crime of blinded anger and jealousy. By Sherlock’s account, this man will be hanged. What might be missed is that this episode’s emotional theme is JEALOUSY - which is entangled throughout the various story-plots and characters. 

The next scene begins at 221B Baker St. Sherlock is slumped in his chair, looking rather disheveled and maybe even slightly despondent. In the background we hear a door close and John Watson comes up the stairs. Before he reaches the flat, viewers see Sherlock has a gun and begins shooting a yellow Happy Face painted on the wall above the couch. John is – “What the hell is the matter with you?!” while Sherlock tells us he’s bored. Bored. Bored. Because, you know, that’s what [...] Sherlock Holmes does when he’s bored. He shoots up walls.

Not.

Don’t get me wrong. I’m not saying this to solely judge when Sherlock is bored or not, or even how he should act. That’s up to the writers. What I can say is that Sherlock’s behavior, given the evidence, seems more agitated than bored. Then again, Sherlock is rarely a happy camper when he’s bored and he can become a loose canon without something to occupy his mind. More about this later.

John takes the gun from Sherlock, removes the clip, and then heads to the kitchen for food. He asks Sherlock about the case in Russia – Sherlock corrects him and says, “Belarus.” John opens the fridge where he’s shocked to see a severed head. Sherlock tells him he got the head from St. Bart’s morgue and that he’s measuring the coagulation of saliva after death. Let’s just pause for a minute to ponder the fact Sherlock has a severed head and yet he’s bored. Hmmm. Not sure about anyone else but this seems like a pretty big kudos in terms of smuggled bio-hazard. Just saying.

The above recounting of how The Great Game opens is packed with clues regarding Sherlock’s state of mind, who and what he might be thinking about, as well as a timeline.

****Information is going to jump around quite a bit, but it’s been my intention to lay it out in the most coherent way possible. Evidence comes from several different episodes, sources and timelines within the show. So, we have to follow the dates and what was taking place on-screen and off-screen. It does wrap up nicely, tho, and just want to give fair warning as the dots are connected.****

Let’s start with Timeline and ask when did The Great Game begin? Not the ‘official’ beginning, but the one that isn’t seen – the one that’s taking place in the background, but nevertheless canon in the show.

March 25th – Molly Hooper’s blog. Just before midnight (yes, time is important)


In her blog entry, Molly talks about her day, but also about Sherlock and how she knows he flirts with her as a manipulative ploy to get what he wants. She’s upset because she wants to tell him to stop, but also because she wrote his name and doesn’t know how to delete her entry.

It’s now a few minutes past midnight, officially March 26th, and a comment has been left for Molly. Through this comment, we’re officially introduced to Jim from I.T. aka James Moriarty.

Molly’s blog entry, however, tells us a few other things that are taking place concurrently in Sherlock’s life. He’s in the middle of The Blind Banker. The manipulation Molly writes about is Sherlock wanting to see the bodies of Eddie Van Coon and Brian Lukis to show Inspector Dimmock the Black Lotus tattoos. Given the timeline of The Blind Banker, we know the case was resolved sometime during the late evening of March 26th, or very early on March 27th. I could say I’m making an educated guess about this, but I’m not. Not only does Molly’s blog suggest this, evidence at the beginning of The Great Game supports it as well.

So, why is this information important? Because it tells us several things:

First, it let’s us know when Sherlock was in Belarus. It also lets us know the last time he saw Molly before receiving a severed head.

Lastly, it lets us know Jim Moriarty had placed himself at St. Bart’s Hospital where he’d been watching Sherlock and, especially, Molly from the sidelines for sometime. Including following her blog. *It might also indicate that Moriarty has other people placed within the hospital to keep an eye on Sherlock / Molly, activity. It’s not only possible, but reasonable to conclude.

(*This would explain why Sherlock wanted Molly’s help at the lab with the kidnapped children during The Reichenbach Fall. Given what happened to John during The Great Game, he was uncertain what Moriarty would do. He wanted to keep her close by, at the hospital, under his watch and around people. He was worried and scared – Molly saw it. Sherlock also tells us this much in The Empty Hearse – “Moriarty made a mistake. The one person he didn’t think mattered to me, was the one person who mattered the most.”)

March 27th: Sherlock solves The Blind Banker case, recovers the jade hairpin and receives a hefty six figure check from Sebastian. It was a great case, he got to save John and Sarah, so he’s pleased as punch with himself. This much the episode shows us.

March 27th / 28th – Somewhere in this timeframe Sherlock flies off to Belarus to meet with a potential client. How the case came about is anyone’s guess but, ultimately, viewers know what happened. We can make an argument that Sherlock was gone for at least two days – a day to leave, and a day to return. What’s clear however, is his return date.


March 29th: Sherlock returns from Belarus. He stopped at St. Bart’s morgue on his way home to get a very cool gift from Molly: a severed head - w00t!

How do we know this? By how events unfold in the beginning of The Great Game and Molly Hooper’s blog.

Now, if you’re reading or referring to Molly’s blog, you might be asking – how did I come up with the 29th? Molly didn’t write anything significant on that date. The only entry for that day shows she and Jim conversing about a hidden grid code message on Sherlock’s website. So, it’s not what she tells us from her blog entry on the 29th, but instead what she writes on April 1st.

We can take an educated leap to assert some other facts:

The severed head is brand new. It’s bio-hazard and won’t keep for very long in residential refrigeration. Sherlock got it that day – which he pretty much told us. If he’s measuring the coagulation of saliva, he’s probably taking samples at timed variables. At least that’s something to keep his mind occupied.

John has not seen Sherlock since he left for Belarus. John tells us this by asking Sherlock how the trip went. When my friend and I were talking about this, she asked that perhaps John hadn’t seen Sherlock because he was staying with his girlfriend? It’s a great question, but didn’t present a plausible answer. John just started seeing Sarah during The Blind Banker – their relationship is very new. Plus, when Sherlock and John quarrel that evening, John goes to Sarah’s house and spends the night on the sofa. Their conversation implies this is the first time John has spent the night and if there’s a next time, maybe Sarah will let him “kip at the end of her bed.”

 So, let’s get back to 221B Baker St and what unfolds. It’s good.

Sherlock is bored – that’s already been established. He even looks a bit bored, but his behavior tells us a very different story: He’s agitated, surly, angry and frustrated. He wants to pick a fight – which is exactly what he does with John.

Nothing tells it better than pictures, so let’s look at face of boredom and you can draw your own conclusions:







John asks: So you take it out on the wall?

Sherlock responds: The wall had it coming.





I want to take a moment to talk about the Wall. I’ve mentioned this in other blogs, but it’s worth bringing up again – the Wall behind the couch is important to Sherlock because this is his visual study. It’s where he places the chain of evidence of all his cases – usually the big ones, or those that are perplexing. (As a sidenote – this is also why he probably chose to use Molly’s place as a bolt-hole in His Last Vow. He had no place to keep a visual wall of the complicated evidence in the Magnussen case, especially with Janine staying at this flat. His place was too exposed. I wrote about this in an earlier blog.)

So, on his visual wall of evidence, he’s painted a big yellow smiley face, with a can of paint left over from The Blind Banker. That tells us a couple things, one of which he says: the criminal class is boring and it’s a good thing he’s not one of them.

While that might be true, in part, it’s not the whole story. What Sherlock isn’t telling us is that big, yellow smiley face is Molly.

This might seem like a leap, but it’s really not- if you follow the evidence.

As an audience, we’ve seen Sherlock bored and sometimes it’s not pretty. He tends to become hyper, he wants to smoke, he paces and deduces anything and everything in sight. We know he doesn’t like to sit idle – his mind races and needs something to focus upon.

He just closed a fairly big case, however, and then spent two days going to and from Belarus. Maybe he knew he’d need a distraction, so he stopped off at St. Bart’s morgue to get himself a little project: the head in the fridge. But, even this isn’t enough to distract Sherlock from whatever is going on.

Sherlock isn’t bored. Something happened between the time he left for Belarus and the time he returned. He wants a fight. He wants to sneer and snap. He does this with John over his blog update on The Study in Pink. John wrote about Sherlock’s genius, but also how he can be spectacularly ignorant about things like the solar system. Sherlock, of course, takes offense and snaps at John by saying he doesn’t care about who’s Prime Minister or who’s sleeping with who.

 Basically, what Sherlock is saying is that if the information isn’t important, he’s going to delete it from his brain – he only wants useful data. In this, he compares the workings of the Universe and politics with gossip. But, it’s his comment about “who’s sleeping with who” that’s out of place. John would never call Sherlock spectacularly ignorant about gossip. It’s something that would never occur to him. And, yet, Sherlock includes it in his diatribe.

We could see this is as a throw-away comment. It would be easy to do and believe what Sherlock says at face value. But, it isn’t – because things are happening around Sherlock over which he has no control: John is dating and Molly found herself an admirer.

Let’s look at the timeline again.

The last time Sherlock saw Molly was the evening of March 25th. He flattered her to get something he wanted and then off he went. It’s easy for him to do – he knows Molly is attracted to him, Molly knows he knows, she continues to get sucked in and is getting tired of his arrogance. Sherlock likes having Molly admire him. It probably feels good. And, down the road (The Reichenbach Fall), we learn Sherlock likes Molly and he’s always trusted her. So, there’s a mutual thing going on, but Sherlock likes having the upper hand - it keep Molly malleable to whatever he wants, and she always gives in. It’s very much one-sided, his side, and he takes Molly for granted. This is not speculation, but canon.

But, something changed in the four days since he’s last seen her:

Molly found herself a man. Yes, he’s a seriously dangerous, bad ass, psychopath that turns out to be Sherlock’s biggest nemesis, but at this point – no one knows that.

Let’s quickly go over how things played out, in short order, because there was a lot of set-up and information to take in.

A) Sherlock closes the The Blind Banker case and takes off for Belarus. Travel – awesome! He didn’t get the severed head before he left because 1) John would not have been surprised to see it when he came home from work; and 2) The head wouldn’t stay fresh, thereby invalidating Sherlock’s saliva experiment. If anyone questions this – just read up on the Jeffrey Dahmer case.

B) Sherlock returns from Belarus and visits St, Bart’s morgue, where he sees Molly and gets a very cool treat. But, it’s not a happy reunion in the way Sherlock is accustom. Something’s changed with Molly. She’s different. Sherlock can see it all over her: She’s happy (yellow smiley face), which is normal for her, but now she’s more bubbly – distracted – she’s feeling the first rush and blush of attraction. Molly has a mystery man, she’s not talking, but some guy is honing in on Sherlock’s ‘territory.’

C) Molly’s been busy. She hasn’t updated her blog between March 25th and March 29th. She’s been going out with Jim. He even came to her house and watched Glee with her. They’re giving each other lots of kisses ‘xxxxx’ on her blog. She and Jim have become fast friends and maybe some intimacy has taken place – like kissing.

The above isn’t all assumption, btw, it’s what the episode and Molly’s blog tells and shows us. Molly’s blog was amazing – too bad she’s (BBC) not updating it anymore.

Sherlock returns to Baker St, and what do you suppose he does when he wants to know something? He researches. Maybe he checked Molly’s blog? Does he even know she has one? Probably. I mean, if he sent away for John’s birth certificate to find out his middle name, it’s safe to say Sherlock might check to see if Molly has a blog and what she’s writing about. That, btw, is an assumption. No proof.

So, let’s just say he didn’t check her blog, doesn’t know about it, he still knows she’s seeing someone and that it’s a romantic attachment. It’s leaving him feeling a pissy. John has a girlfriend and now Molly. Molly has something going on. There’s certain things Sherlock can count on with John, but Molly is an unknown variable. He has no idea how this romance of hers will effect their relationship and, more than that, he doesn’t like it. At all. It bothers him, he’s stewing in it. This would be a good time to re-visit those pics (above) shooting up the happy face on the wall and compare his facial expression with the mental health chart on emotions (below). I said it before, but he doesn’t look bored to me. He looks angry, jealous, aggressive, disgusted, enraged – just to name a few.



Then there’s the gun. Shooting up the smiley face. He’s a dead mark, btw. He got the eyes, nose and was making his way through the mouth when John stopped him. Sorry, Sherlock, the criminal class is just not that happy or content.

Sherlock is upset. Molly is on his mind. He’s angry with her. He paints her perpetually happy face on the wall and shoots it. He might be upset with himself for having feelings of attraction toward her, especially when he’s worked very hard at suppressing those emotions. He might be feeling threatened that someone else has her attention. He might be even more agitated that he doesn’t know who this mystery guy is. He might be thinking about the logical conclusion when two people come together under mutual attraction: Sex. They’ll sleep with one another. “I don’t care who’s sleeping with who.” (uh, yeah, you do, Sherlock.) Sex and love keep throwing themselves in his face.

Sherlock’s behavior is slightly emotional and irrational. Okay, he’s very emotional and irrational – which is saying something for a guy who pretty much lives his life from cold, hard logic and reason. It’s what Steven Moffat said:
“Sherlock Holmes is getting emotional again and you’re always in trouble when Sherlock Holmes gets emotional. He likes to pretend he never does, but the truth is Sherlock Holmes gets emotional all the time. And that’s always bad news for him, or somebody else.”  
“The interesting thing about Sherlock Holmes is he’s entirely human. He’s not a little bit human, he’s completely human. But, he’s taken a decision, which is a frightening one, to suppress his humanity to be a better detective. And that’s what he says in the stories. He doesn’t say he doesn’t have emotions…he says they get in the way.” Empire Magazine Podcast 01.14.2014 
Sherlock Holmes’s emotions are getting in the way. He’s beginning to understand that he has strong feelings for Molly and that this thing called attraction isn’t one-sided. It took another man showing interest in Molly for him to see this – and he doesn’t like it. He might not even want it. But, it’s eating away at him nevertheless. He really, really needs a case to take his mind off of Molly and what she’s doing privately.

March 29th: The Great Game officially begins with an explosion on Baker St.

March 30th: - Sherlock is summoned by Lestrade, where the pink phone comes into play. Sherlock, John and Lestrade are led to the basement apartment at Baker St where they discover Carl Powers’ trainers.

March 30th: Sherlock and John go to St. Bart’s where they take Carl Powers’ trainers for a look-see under the handy mass spectrometer. We can see he’s feeling better and even more pleasant with Molly as she enters the lab. That is until a few seconds later when Jim from I.T enters the lab. Molly’s romance is thrown back in his face again.

Sherlock seeing Jim for the first time and then looking at Molly:


Sherlock looking directly at Molly. Not very happy, is he?:


Jim walking into the lab. Sherlock is listening very carefully:


Molly introducing Jim. Says it’s an “office romance” - Sherlock’s response:


He discovers Jim’s gay and is now feeling pretty smug and back in form. But, he’s still annoyed with Molly, so he doesn’t spare her feelings when he exposes Jim.


Sherlock’s deduction of Jim, and even Molly, was similar to that of Mrs. Hudson at the beginning of The Hound of Baskerville. Only he was honestly bored then. He didn’t have a case and once he decided to take on Henry Knight as a client, he became immediately calm. Even happy. He no longer wanted cigarettes, and he didn’t feel the need to tell Mrs. Hudson about Mr. Chadderday’s bigamy. The Game is On.

Similar elements exist here, so he should be feeling pretty good with himself. Right? The Game is On, again, and he finally has the distraction he’s wanted and it’s a doozy. So, why bother deducing, humiliating and insulting Molly if he doesn’t care? Btw, he did insult her by mentioning she gained three pounds – which is clearly stupid of him. Yes, stupid. Molly’s a woman and women know it’s very easy to put on three pounds or more of water weight at certain cycles of the month. Sherlock knows that too. As the guys clearly pointed out to me last week – mentioning a girl’s weight is a huge rule breaker, unless you’re angry and being a douche. Sherlock could have easily blown Molly off and diverted his gay comment into something less stingy, “I think your guy dresses gay, but whatever.” He didn’t do that, tho. He wanted to pull a punch, put an end to the charade immediately and spared no feelings in the process. He actually thought he was being helpful and kind.

March 30th: That evening, Molly has a date with Jim at The Fox. Jim tells us this before leaving the lab. But, Molly, with the information Sherlock has given her, and in spite of her anger with him, decides to confront Jim about being gay.

April 1st: Molly broke off her budding relationship with Jim on their March 30th date. They argued. Gotta give Molly credit for arguing with Jim Moriarty, right? I mean, that girl has some serious talent. But, now she’s feeling bad and would like to still be his friend – it doesn’t matter to her that he’s gay. Jim’s missing. She’s been trying to get in touch with him, she’s worried, he hasn’t shown up for work and she’s desperate for him to get in touch with her. Uh, Molly, you might want to be careful what you wish for.


April 2nd: Molly discovered the truth about Jim Moriarty. It was all lies. She won’t be keeping her blog anymore.


The Great Game, it would appear, took place over a five day period, culminating with a showdown with Jim Moriarty at the pool house. Moriarty tells Sherlock if he doesn’t stop his interference, he’ll burn the heart out of him. Sherlock states he’s been reliably informed he doesn’t have a heart. Although Moriarty tells him they both know that’s not true.

I’m just putting this out there to think about – but it’s clear what Moriarty meant by “burning the heart” out of Sherlock. He’ll take away those people Sherlock loves the most. Moriarty demonstrated this by strapping John’s chest full of C-4 explosives. But, at this point, I believe Moriarty continues to believe Molly is meaningful to Sherlock – more than what meets the eye. And, the truth is, Molly is meaningful to Sherlock. It scared him. Now, a bigger picture has been revealed to Sherlock and it becomes very important to really suppress any feelings he has toward Molly. (While I cringe at Sherlock’s treatment of Molly during the Christmas scene during A Scandal n Belgravia, it does put a few things into perspective - if he’s trying to control his attraction toward her.)

In the end, and unknowingly, Irene Adler saved the day for John and Sherlock at the pool house – a favor which Sherlock returned for Irene at the end of A Scandal in Belgravia. But, there’s a few more elements to look at.

According to Steven Moffat, A Scandal in Belgravia was about Sherlock and Love. Not Sherlock in Love. (Thank you to Cumberbabeusa for this reminder.)

The Great Game, in part, could be about Sherlock and Sex, or Attraction…which was the perfect set-up for the A Scandal in Belgravia.

Btw, the weapon used in A Scandal in Belgravia was the Heart, as well as sexual manipulation. Feminine wiles.

The weapons used in The Great Game was: knife, gun, explosives. These are all phallic and ejaculatory symbols, representing the male sex drive, and an over-abundance of testosterone. Masculine, territorial energy.

Here’s what Sigmund Freud has to say about it:

“The male organ, has symbolical substitute in objects of like form, those which are long and upright, such as sticks, umbrellas, poles, trees, etc. It is also symbolized by objects that have the characteristic, in common with it, of penetration into the body and consequent injury, hence pointed weapons of every type, knives, daggers, lances, swords, and in the same manner firearms, guns, pistols and the revolver, which is so suitable because of its shape.” 

This makes sense. There was a great game taking place on the surface of this episode, but there was also a more primal, territorial one taking place below the surface and Molly was the pawn.

Even the severed head is symbolic of Sherlock’s separation from his mind – loss of reasoning and logic.

It’s my belief that this episode, more than any other (up to this point), showed Sherlock is not only not a virgin (not that this is necessarily important), but it demonstrates he’s very much aware of his sexual desires, and the internal dissonance it’s caused. He doesn’t have the control he previously thought.

In my opinion, The Great Game set the stage regarding Sherlock’s emerging feelings toward Molly. It clearly demonstrates his attraction. It’s not the primary function of the show, however, it is a powerful undercurrent as it exposes Sherlock’s deeper, emotive nature and can potentially awaken him to greater self-awareness and maturity in areas he’s shut down.

Whether or not this is what the writer’s intended, it is what’s happening. Louise Brealey addressed this with her recent quote, which I’m paraphrasing: “No one initially thought Molly and Sherlock was possible. It was kind of a joke. But, after season 3 and looking back, no one’s laughing anymore. It’s very possible.”

Tuesday, 21 February 2017


A small Sherlock and Molly moment that get instantly forgotten
 (Sherlock meta by theleftpill)


Consider, Sherlollians

Everyone makes a big deal over “Jim from IT’s” scene in The Great Game, and Sherlock’s deduction and why he makes that deduction and Molly’s reaction to the deduction and Sherlock’s reaction to Molly’s reaction. But all that distracts us from the very start of the scene, when Molly enters the room:

Molly: Any luck?
Sherlock: Oh YES.

Consider:

Molly has just intruded on Sherlock and John’s conversation about The Work. She has broken in, she has interrupted. Sherlock, however, does not respond with annoyance, he does not “humor” her question, he does not ignore her or shut her down.

He responds enthusiastically. Molly walks in, and Sherlock’s happy about that.

Sherlock welcomes Molly in, he’s already engaging with her, he’s excited that he has a result and is ready and dare I say eager to share it with her. This small moment speaks volumes. This small moment shows us - in two lines of dialogue that get instantly forgotten - that they are colleagues, that Sherlock respects her work, that Sherlock relies on her assistance. That Sherlock enjoys her presence and wants to work with her.

They’re both getting ready to do some down and dirty Science. And we’re gonna get to watch!!! And then look who shows up:



DAMMIT, JIM.

And the whole thing collapses like a flan in a cupboard.

Sunday, 19 February 2017


Rewatching Sherlolly: The Great Game
 (Sherlock meta by justanotherfangirls)

The Great Game gave us mystery and action that kept us at the edge of our seats, an introduction to our resident villain that is even better at hiding in plain sight than Sherlock himself, a good perspective on how much Sherlock doesn’t care, and how much he actually does.



As season finale, this episode ties up nicely the conflict introduced at the first episode: Sherlock’s true addiction. He would do anything to stop being bored. He would bet his life to prove he’s clever. He was very turned on by this game with Moriarty. But he realizes that he has limits. He realizes he has a heart. In a moment of pure brilliance, Benedict Cumberbatch has shown the exact moment Sherlock realized that, with a blink of his eyes and tightening of his jaw. But we have seen it earlier on his face: the anger when he heard the explosion that killed the old woman, the heartbreak when he thought John betrayed him, and what looks like regret and hurt when Molly walked out on him. In his conversations with John, it seemed that this was not a man who didn’t care, rather, one who cared too much but believes with all his being that caring is not an advantage.

Looking into Sherlock’s scene with Molly, there was already an air of friendliness between them, an improvement from the earlier episodes. Perhaps a product of frequent interaction, as Molly was most probably the one from Bart’s morgue who got him that head, and if she did, there were probably other parts too; after all Sherlock is easily bored. At the lab, Sherlock was so eager to share his excitement in finding a bacteria match with her like the science nerds that they are. But then Jim enters, and the atmosphere changes in a flash.



Sherlock looks at Jim, at Molly, then back at Jim, and sees everything. He sees his eyes, eyelashes, and underwear; he sees the way Molly looked and smiled at Jim; he even sees the three pounds she gained. And looking at Sherlock, you could see clearly that he hated Jim. It is not mild irritation like he had with Sarah when she, at his point of view, was wasting John’s time when he should be assisting him, and was making sub par deductions. It does not appear to be jealousy because Sherlock knew Jim was gay and would leave Molly eventually. I see it as more than anything else, sheer protectiveness. When Jim left his number under the petri dish, he became even more annoyed. He looked appalled by the nerve of this guy who was fooling Molly, leading her on, and trying to cheat on her! With him! He said so himself, he wants her to break it off and save herself the pain. A twisted way to show care and concern, but it is care and concern nevertheless. In Sherlock talk, he means he does not want her hurt.

What is perhaps more surprising than an emotional Sherlock (anger is an emotion after all), is him trying to suppress a show of his cleverness to bring down someone he does not like. You see him trying to distract himself with his microscope, but not really looking at the slide; he started to say gay but took it back; he is trying really hard to hold himself back. Knowing him, this could not have been easy. He even tried to deflect Molly’s question on his deduction skills, by teasing her with her weight. It is a mark of John’s influence, further confirmed by him checking if what he did was kinder. Well it was not, he did it all wrong, and in the end he did show off his cleverness, but that right there is the proof that he cares enough to not want to humiliate Molly at least not in front of this creep.

As for Molly, she seems to be trying to move on because she has figured out that she had no chance with Sherlock. The side parting of her hair says she’s failing. A selfish part of her might have wanted Sherlock jealous, but it does not seem deliberate or planned. She seemed to like Jim genuinely. Perhaps she saw some sparks of brilliance that reminded her of Sherlock. So when Sherlock spoils the illusion, she becomes angry, at him for being this insensitive unattainable guy she was still in love with, at Jim for lying to her, and at herself for foolishly believing Jim and being stubbornly in love with Sherlock. She apparently did not forgive Sherlock easily, in his succeeding scenes at the hospital Molly does not help him. Maybe he remembered this when he told John later: "you’re angry with me so you won’t help me".

What Molly says, or rather, does not say to Sherlock is curious. Why do you have to spoil -? Spoil what? Everything? Why did she stop herself? I don’t think this is the first time Sherlock spoiled her plans with a relationship, and as we will see it is not the last. Now I didn’t see this Jim fiasco as a show of his jealousy, but there may have been other times that would not always have a reasonable, purely logical basis.



I have always wondered why Jim did not think to include Molly as a target. Maybe because she did not consider herself to count to Sherlock, and had given that impression so effectively that she convinced Jim Moriarty. And Jim would never think of her love as anything other than a weakness. So it seems Sherlock fails spectacularly time and again to show her he cares, Molly reads it as further proof that he does not, and Sherlock just gets confused and perhaps hurt by that. (And his face, if Jim has seen this, he might have hired a fourth assassin.)



Some more notes on The Great Game
 (Sherlock meta by justanotherfangirls)

So Moffat says, sentimentalise him [Sherlock] at your own peril, and we say, bring it on, peril and all. Because this version of Sherlock is a complicated roller coaster of emotions that they could not entirely blame on the fans. They knew what they’re doing; they have direct control of the direction of the show. And this teasing and trolling is both masterful and sadistic, but undoubtedly impressive.



Jim: If you don’t stop prying, I’ll burn you. I’ll burn the heart out of you.
Sherlock: I have been reliably informed that I don’t have one.
Jim: But we both know that’s not quite true.

Before I venture through A Scandal in Belgravia again, which would be hard - I have strong and conflicting feelings with that, I have some more thoughts about this episode.

Firstly, so I have been comparing Sherlock’s deduction of Mr. Chatterjee, way ahead, in The Hounds of Baskerville, with that of Jim. Coincidentally, Mark Gatiss wrote both of these episodes. In both times he was deducing a romantic interest of someone he cares about, someone he would want to protect. Jim was gay, Mr. Chatterjee has a wife nobody knows about. But there are significant differences. Firstly, Sherlock did not tell Mrs. Hudson his deductions the moment he saw Mr. Chatterjee; it was when he desperately needed to deduce and was irritated that John and Mrs. Hudson hid his cigarette stash. But Sherlock told Molly to break it off the first time he met Jim. Secondly, it was so obvious that he hated Jim and was very distracted with him around (Sherlock was rarely distracted especially when he had such an interesting case). He displayed no such hate with Mr. Chatterjee and hardly spared him any more thought. Thirdly, he insults Molly, almost as if he’s mad at her too. He did not do anything like that with Mrs. Hudson. Lastly, at the end of the scene when Molly walks out, his eyes seem to be telling her to come back, he was really expecting her to be grateful to him. And he seemed almost apologetic. But when Mrs. Hudson walked out, he moved on. John even shouted at him to apologize and he only commented on the pettiness of it.

This is not to say Molly is more important to him - Mrs. Hudson is his mother figure, and we all saw how angry he was when people tried to hurt her. I think he did not think it important to tell Mrs. Hudson at once, romantic entanglements are petty and he was otherwise harmless. And Mrs. Hudson would get over it and be back to making them tea in no time. But Jim was harmless too, his deductions only told him 'gay'. And he was insulting Molly about her weight; it was not an innocent comment - he insults Mycroft for exactly the same reason. So he was mad at Molly, unnecessarily annoyed at Jim, deemed it important to tell her that Jim is gay at once in the middle of a case - romance is important if Molly’s involved, and was in the end guilty of his actions because perhaps he knew he was out of line and took the situation too personally (unlike with Mrs. Hudson where he saw no need to apologize). Okay I am now convinced he was indeed jealous.

That tiny moment [at the pool scene] when his emotions betrayed his face, I could imagine Sherlock thinking about how Jim would burn the heart out of him. He was afraid. How easily Jim had gotten to John and strapped bombs into him, how loyal his friend is to be willing to die to save him and kill this dangerous criminal, how close his friend was to death at that moment because of him and his pride, arrogance, and boredom. I do think he also thought of Molly, how easily Jim had inserted himself into her life, how Jim was able to smile at her, to touch her, and how she smiled at him so innocently, trustingly. I think he had deduced that in Jim’s eyes Molly did not count to him, otherwise she would be the one with bombs strapped to her body. And I believe that in this moment he decided that the only way to keep her safe, to protect her, is to never let her get too close to him.

We can only speculate what happens after this confrontation. I think despite himself they grew closer anyway. He would obviously interrogate Molly to the tiniest detail regarding his arch nemesis. He probably became very critical of Molly’s subsequent dates and he uses the Jim card every time. (He knew that Jim wasn’t actually her boyfriend, they went out three times and she ended it. But who knows maybe he just likes hearing it again.) And there’s also this case titled The Ghost of St. Bartholomew’s in Sherlock’s blog which I assumed would involve Molly and it was after the pool confrontation because she never blogged about it.


Tuesday, 14 February 2017


This is the moment that Sherlolly became canon
 (Sherlock meta by mscurious88)


IMO, this is the moment that Sherlolly became canon. Benedict Cumberbatch changed the story with his acting choice here. Before his reaction here, Molly existed as the girl who has a hopeless crush on Sherlock. She was a disposable character. She was someone who could never appear again and it would make no difference to the storyline because the character is not that significant to the protagonist. By Sherlock reacting as if he CARES that Molly is upset, suddenly Molly got a promotion to someone significant to Sherlock and therefore the storyline.

And this moment isn’t just a pivotal moment for Sherlolly, but for the entire interpretation of Sherlock in BBC’s Sherlock. This was the moment Benedict Cumberbatch decided Sherlock is not a high functioning sociopath. I’m sure when Benedict Cumberbatch prepared for the role, he studied what sociopaths are like to help him bring Sherlock to life especially since Moffat & Gatiss bring up how Sherlock is similar to a sociopath. And having done that prep, Benedict Cumberbatch would have known that sociopaths do not apologize and do not feel guilt or remorse.

Benedict C. made an important choice here to not play Sherlock as emotionally unmoved by Molly’s rushed, emotional departure from the room. He *could* have played it as detatched confusion. “Why did the woman leave like that when I helped save her time by pointing out her boyfriend is gay?” “That is illogical!" Or he could have played it as annoyed "like how dare she get all emotional with me when I simply told her the truth."

Instead Benedict Cumberbatch played it as wounded and sad and remorseful and this scene sets up the apology to Molly scene in A Scandal in Belgravia. And as the actors and producers have all pointed out, the first time the audience sees Sherlock apologize to anyone for anything is to Molly.

This is the scene that convinced me that Benedict Cumberbatch ships Sherlolly hard. I know he has never said anything majorly pro Sherlolly, but his acting basically created the ship, because no matter how much Louise Brealey acted in love with Sherlock or how adorable she was, Molly would have been the girl with the hopeless crush, had Benedict Cumberbatch not acted like Sherlock reciprocated Molly’s affection. Which this makes me very  Sherlolly will become canon because the most powerful person on BBC’s Sherlock is Benedict Cumberbatch as he is the only person who is irreplaceable. [...]