Showing posts with label Mrs. Hudson. Show all posts
Showing posts with label Mrs. Hudson. Show all posts

Saturday, 1 April 2017


Sherlock and The Social Dots
 (Sherlock meta by bassfanimation)

I keep seeing people continue to fight over Sherlock and the meaning of Eurus’ tests so I wanted to write a little thing on it. I’m doing this with a wrist brace on and heinous fibro-turd pain, so forgive any misspellings.

The way I have personally absorbed Sherlock and the meaning of Eurus’s tests is that it’s about Sherlock as an empty person. He is an incomplete picture until he begins connecting the dots that are his social connections and even more importantly, his emotions. Let’s look at his relationships one by one and I’ll explain.

Dot 1: Greg Lestrade 


Lestrade represents respect for authority. In fact, he is the only real authority figure in the series. He’s Sherlock’s ‘boss’ in a way. Bosses need people they employ to be reliable, respectful, and trustworthy. Sherlock treating his boss/mentor like crap, making fun of his intelligence and skirting around him at every chance he gets is terribly disrespectful. Sherlock is childish and arrogant and disregards Lestrade in most cases, even refusing to acknowledge his name. We’ve all had those bosses when we were young that we didn’t respect, so we act like spoiled brats about it even though those people probably have way more experience than we do. They have earned their position via the rout of hard work and being reliable and respectful. By the end of the series, however, Sherlock shows us he has resolved the issue of his respect for Lestrade by politely asking him, by name, a first for the entire series, to please take care of his brother. Sherlock is no longer a bratty child and he has connected the social dot of respect.

Dot 2: John Watson 


John represents friendship, pure and simple. John is literally the “replacement” for Victor, Sherlock’s best friend who was killed when he was very, very little. That left Sherlock as the empty shell that we see at the start of the series. The loss of his friend at such a young age meant that he essentially shut down the part of him that he felt could even have friends. He rejected the idea of personal connections with other people entirely, so that he wouldn’t suffer loss again. John, through all their trials and tragedies, has now healed that wound for Sherlock. Even more, John as Sherlock’s friend, has helped him connect all the other dots. He walked with him step by step to do it. Without John’s companionship, Sherlock would still be empty. John’s maturity helped Sherlock grow up and be the man he was supposed to be, had he not suffered such a terribly traumatic event in his youth.

One other thing John represents is family, brotherhood to be specific. Mycroft was very cold to Sherlock in their youth, even though it’s obvious it wasn’t always that way. In the family videos we are shown, Sherlock absolutely loves his brother. It isn’t until later, after Victor, that he feels so alone. It’s obvious Sherlock loved Victor just like a brother, like the brother he really needed but was taken from him. Sherlock says John is “family” in The Final Problem, and he means it. It also shows just how much emotion Sherlock has. His love is that strong. His friend was his brother, a part of his own blood, even if they wren’t born as brothers.

Dot 3: Mrs. Hudson 

Mrs Hudson represents a parent’s love. It’s clear that Sherlock has a very strained relationship with his parents. He doesn’t hate them, but he doesn’t appear to believe that they care for him. They’re not around when he is still basically a child in a grown man’s body. He has cut them off in his mind. Maybe they weren’t there for him in the past so he continues to believe they’re not there for him now. Meanwhile, Mrs. Hudson dotes on Sherlock, brings him tea and food and generally ‘takes care’ of him. She’s kind but not a pushover. She’s also led a life that is about as tumultuous as you can get, which I think appeals to Sherlock. He always surrounds himself with people who aren’t “regular” people. Mrs. Hudson holds enough action and adventure in her life that she appeals to Sherlock, and she is also loving and sweet to boot. Mrs. Hudson is the connected parental dot for Sherlock.

Dot 4: Irene Adler 


Irene Adler represents sexuality. What’s even better is that Irene represents fluid sexuality, and more importantly, the rejection of labels. Regardless of how everyone has interpreted this, when you get down to the simplicity of it, it is simply about rejection of boxing one’s self in. Sherlock’s box was his own making, his image as the “higher power” that Irene pointed out. Irene’s own box was her sexuality. Both of these people had discovered during the episode that their boxes weren’t taped shut all the way. There was wiggle room. Back to the sexuality part, Irene awakened Sherlock sexually. The entirety of A Scandal in Belgravia was loaded with sexuality, from Sherlock being naked and looking extraordinarily dashing, to the very naked Irene appearing to completely disrupt his logical thinking power. It’s as close to canon as one can get that Sherlock did sleep with Irene after Karachi (judging by Eurus’s reaction to his violin song for her). Sex and intimacy was something Sherlock had very much refrained from in his life and Irene connected that dot for him.

Dot 5: Molly Hooper 


Molly represents authentic love, or “romantic entanglement” as Sherlock puts it. Everything about Molly and Sherlock’s interaction falls in line with how everyday romantic relationships blossom. They began just like kids, with Molly having a crush and Sherlock being a jerk to her, ignoring her, or thwarting her attempts to date other men. As they grow together, they begin to close the gap between them. Molly earns Sherlock’s complete trust, which was monumentally difficult for her to do considering Sherlock’s fear of connecting with people too closely. Molly loves Sherlock through his best times and his worst times, unconditionally, even though he doesn’t appear to return her feelings. From small things we’re shown, however, it feels as if Sherlock does feel something for Molly, but he has compartmentalized it and buried it as deep as he can underground out of fear. Eurus’s test is what forced Sherlock to dig up that box, that box he’d put his heart in and covered it underneath the earth. Eurus forces that box open, and connects the dot of romantic love for Sherlock.

Dot 6: Mary Watson 


Mary represents, I think, coming to terms with one’s self, and the different shades of the self. She represents acceptance. Mary connected with and accepted Sherlock instantly because they were the same. They both came from dangerous lives, they are both morally gray, and they both have a need to be accepted for who they are, the good and the bad. Mary was in many ways, a reflection of Sherlock’s own duality. I think Mary made him question things about himself (no not sexually), and I think she also taught him how much he is worth as a person. She showed him that even though you are this person you’ve constructed out of your own pain, you don’t have to live just as that person. You can have anything you desire and still be you. You can live with shades of yourself, and those around you who truly love you will accept you as that. They will love you for the good that you are, and forgive you for the bad that you are. Mary connected the dots of acceptance for Sherlock.

Dot 7: Jim Moriarty 


Jim represented fear. He represented who Sherlock would have been, had he not had some form of love and connection in his life. He was a madman, a true sociopath. He showed Sherlock what it really would be like if he was who he said he was. We learn very quickly, however, what Moriarty already knew. Sherlock can never be like him because he does have a huge capacity for love. He’s hidden it, denied it, but it is there. Anywhere Moriarty appeared, it caused great fear in Sherlock. Even after his death, Moriarty was in Sherlock’s mind, chained up in a padded room like a some kind of caged monster. As much as Sherlock tried to be like him, he really feared becoming that. He also feared that Moriarty would be the undoing of his friends and family, forever a threat to their lives. Moriarty was an endless threat to Sherlock, an endless fear of madness and murder. Jim connected the dot of fear, true fear, for Sherlock.

Dot 8: Mycroft Holmes 


I admit this one’s tough. I feel Mycroft represents weakness. For all the power Mycroft wields in the government, he’s very fearful of being out in the world. He keeps people as distant as he can manage and still be a part of functioning society. He also did a terrible thing and locked up his little sister and lied to his family about it because he feared confronting it. All along in the series, we see Mycroft chastise Sherlock for things like having friends, being close to people, tangling with psychopaths, etc. Mycroft is a very soft, fearful person, which makes his nickname The Ice Man sort of ironic. Its not that he doesn’t care, he’s just far too soft to care. We see his softness demonstrated with Sherlock, time and time again. He cares so much for his little brother and fears so much for him that he constantly keeps watch on him. Mycroft also tried to help Sherlock by proxy, using John as a means to help Sherlock heal his wounds. In the end, Sherlock comes to realize his brother isn’t a bad person, and that he loves him deeply. In fact, he loves his little brother enough to die for him so that he won’t be left like he was as a child, without his best friend. I think Mycroft regrets being as weak as he is, because he didn’t do more to help his siblings. It just required too much care, and he wasn’t able to fulfill that. In the end, it is Sherlock who is the stronger of them, and he is stronger because of his connected dots. The last dot is connect by Mycroft, and that is Sherlock understanding that he is capable of protecting the weak, that he is stronger thanks to his mind, heart, and soul now being complete.

_____________

That’s about all. I only included the major characters here, the ones we see almost every episode. I’ve already talked a bit about how Eurus forces Sherlock to confront trauma, so she represents that last little bit which Sherlock needs to connect everything together. She wasn’t a dot, so much as the one who helped him see the entire picture he’d made. Also, Rosie helps Sherlock in her own way, as Sherlock now has this capacity to care for the smallest of people: children. Rosie is a teeny, tiny, adorable dot.

I mostly wrote this because I had wanted to for a while, but also because some people are still arguing about the 'I Love You' scene. They’re missing the forest in favor of the leaves. The bigger picture is pretty clear on what everyone’s purposes were in the show, and how they affected Sherlock as a man. To become a great man, he needed to be a complete man. All these connected dots make him that man.

Monday, 13 March 2017


Mrs Hudson's husband was abusive
 (A Sherlock meta conversation reblogged by thelonelybrilliance)



itsgotflaps: I’m sure that Mrs. Hudson’s husband committed a great number of crimes in order to get sentenced to death. From the way she flinches when Sherlock slams his hands on the table, I’d say it’s safe to bet that one of his many crimes was spousal abuse.

cumbermumsThat would certainly account for why Sherlock ensured his execution.

ibelieveinsammy: And why Sherlock got so enraged when he saw that she had been hurt

xrdj: And why she acted as if she were perfectly fine when she was hurt.

lotrlockedwhovian: And why she was able to remain calm and still sneak the phone out and why Sherlock knew she would be okay despite John’s worrying - because she’s been through worse and persevered.

castielcampbell: And why he didn’t want her to leave England. He wouldn’t be able to keep an eye out on her.

sherlock-is-the-fire-of-my-loins: And why he got so mad at Mycroft for telling her to shut up because her husband also abused her verbally.

i-say-no-to-status-quo: And it overall explains why as a general rule, YOU DO NOT TREAT MRS. HUDSON POORLY or you will FACE THE WRATH OF SHERLOCK HOLMES.

tripmalcolmlove: This makes perfect sense.

Saturday, 28 January 2017


Mrs Hudson in TLD
 (Sherlock meta by aphraelsan)

Mrs. Hudson has to have an inkling of what Sherlock’s trying to do when he’s getting increasingly drug addled and mangy - they watched Mary’s message together. I imagine her internal monologue when he started into his Henry V monologue was, “That’s it. Screw this, my walls are not going to Hell with you and your handgun. John Watson can save you from the trunk of my bloody car.”

In seriousness, this is why she’s so insistent to John that he is the only one who can possibly help Sherlock. She knows it has to be him based on Mary’s message, but she disagrees with her idiot genius man-child on how to get the job done. It’s exactly what Sherlock knows she’ll do, because he doesn’t underestimate her in the least (excepting the trunk, which was pretty much the best part of the episode IMO). Hudders style.

Wednesday, 25 January 2017


What is Mrs Hudson's problem with Mycroft?
 (Sherlock meta by thediogenes)



Q: I wonder what is Mrs Hudson's problem with Mycroft? She seems to almost hate him.

A: I think Hudders sniping at Mycroft always comes from a place of love - her love for Sherlock.

Her problem with Mycroft is she knows that Sherlock is a much more sensitive soul that he lets on, and is therefore completely baffled that Mycroft doesn’t seem to (or want to) see it.

She admonishes Mycroft because she’s frustrated with his coldness or apparent lack of empathy. She’s much more of an externally focused, emotionally intuitive type whereas he’s virtually the complete opposite. There’s a definite personality clash between the two of them.

I don’t think she hates him at all, I think she knows deep down that he tries his best to protect Sherlock. I just think she’s frustrated beyond belief that Mycroft is so out of touch when it comes to emotions. For her it’s blindingly obvious when Sherlock is struggling on an emotional level, but Mycroft just doesn’t seem to get it (or he chooses to discount it based on what he thinks he knows about Sherlock’s approach to solving problems).

I think Hudders and Mummy may something in common when it comes to Mycroft – they both think he’s seriously lacking on the emotional front. In reality he isn’t of course, he cares deeply, but his head always rules his heart and micromanages how he expresses his emotions. He expresses concern and caring in a logical, pragmatic way that seems alien, if not cruel to them (see: “I was trying to be kind”).

So yeah, I think it’s more the case that Mrs Hudson is frustrated & baffled by Mycroft and would probably dearly love him and Sherlock to sit down and have a proper heart to heart.

Thursday, 25 September 2014


Family is all we have in the end
 (Sherlock Meta by ibelieveinmycroft)

Anonymous asked: So, in Scandal, we see Mycroft telling Mrs. Hudson to shut up, and after Sherlock yells at him and he gets looks from Mrs. Hudson, John, and Sherlock, she (Mrs. Hudson) says something along the lines of, ‘after all, family is all we have in the end, Mycroft Holmes.’ and Mycroft looks almost hurt. Do you think that it may be because of this comment? Because Mycroft is so detached from Sherlock, who very well may be the last of his family? So according to her he has nothing?

ibelieveinmycroftInteresting one, this one. I don’t think Mrs Hudon’s comment was quite that barbed. Her intention was, obviously, to chastise Mycroft for putting Sherlock and John in a dangerous situation. I can’t imagine that she knows Mycroft very well and, like John, thinks of him only as Sherlock’s overbearing big brother. She probably didn’t realise that she was touching on something very close to Mycroft’s heart.

Mrs Hudson: It’s a disgrace, sending your little brother into danger like that. Family is all we have in the end, Mycroft Holmes.
Mycroft: Oh shut up, Mrs Hudson.

Mycroft is usually so polite, genteel, refined and sophisticated, even when threatening mild-mannered army doctors in the middle of warehouses, negotiating with scheming dominatrices or torturing criminal masterminds. His unassailable calm is a part of what makes him so threatening, so dangerous. It is so unlike Mycroft to be rude to anyone - apart from his brother, which is a whole other matter.

So what brought Mycroft’s defences crashing down like that? What made a man, who can stare down his enemies with a smile, snap at a pleasant little old lady?

Mrs Hudson is like a surrogate mother to Sherlock and John, and this scene sees her very much in this role - fussing over her boys, bringing them breakfast and scolding Mycroft for putting them in danger. Mycroft himself is quite obviously uncomfortable and displaced by the situation - he is standing separate from them all - they are gathered round the table, while he is stood by the fireplace - and he has kept his coat on. Watching his brother, seemingly his only family, secure among the urban family he has built for himself will obviously have an unsettling effect on Mycroft.

So, when Mrs Hudson says, “Family is all we have in the end, Mycroft Holmes!”, in that tone of voice, using his full name, as if chastising a child, he is not going to be able to keep his cool. I think the history between the brothers is as unbeknown to Mrs Hudson and John as it is to the viewers, so she doesn’t realise that she has just made a statement that will be extremely provocative to a man who cares very deeply for his brother (something that this episode went out of its way to prove.) Mycroft, who is already feeling off-balance due to the dynamics of the room, understandably snaps and tells her to shut up. Mycroft, a man in control of every situation, one of the most powerful, respected and feared men in the country and a master of subtlety and grace, can be knocked off-balance by one thing alone - his brother.

John and Mrs Hudson look shocked, affronted, as if they can’t believe it of Mycroft. Sherlock’s expression is slightly different - not at all surprised, despite his anger as he reprimands his brother.
Sherlock’s next line in this scene has been a bit contentious in the fandom, some seeing it as a joke, some reading a deeper meaning. I fall into the latter camp, as there are very few throwaway lines in this series. After shaming Mycroft into apology, Sherlock turns to Mrs Hudson and, half-jokingly, tells her “Although do, in fact, shut up”, which suggests, to me at any rate, that he understands what pushed his brother over the edge. Sherlock knows how Mycroft feels about family, even if they are both terrible at expressing those feelings, and knows that he doesn’t need any more blame for his missteps.

Mrs Hudson, like the rest of us, doesn’t quite understand the complicated relationship that exists between the Holmes brothers. They bite and scratch at each other, but neither want to actually do serious harm to the other - and each knows when the other has been deeply hurt, and attempts to remedy it. Their personalities do not allow for much familial sentiment, but it is there, underneath their protective, guarded layers.

Sunday, 31 August 2014


On Mrs. Hudson’s Assumption
 (Sherlock Meta by norwegianpornfaerie)

I’ve been doing a lot of thinking about the “I’m not gay” scene between John and Mrs. Hudson. It bothered me from the get-go, because it didn’t make sense. Yes, the show is soaked in queerbating to the eyeteeth, but even in that context it didn’t make sense - it simply doesn’t work as a joke. We know for a fact that Mrs. Hudson knows John and Sherlock were not a couple. We know that she’s known about John’s girlfriends - she set out food for John and Sarah on their date, invited girlfriends to Christmas parties, etc. etc. In A Scandal in Belgravia, she and John have a discussion about Sherlock’s relationship to Irene, wondering about the nature thereof, and pondering Sherlock’s past relationships and orientation. She knows all of these things, and she’s not portrayed as an idiot. Nor is the scene played like ‘ditzy old woman is a bit batty’ - Una Stubbs plays the scene very (sorry) straight; if anything, she seems concerned for John. There is a hint of nervousness about her, as though she’s afraid of saying the wrong thing. She’s careful, and tries to make light of things. Why? What’s going on?

Here’s my theory: Mrs. Hudson genuinely thinks John and Sherlock are closeted queer men.

Note: Not OPENLY gay; closeted. And queer, not gay. Someone will have to correct me if I’m wrong here, but throughout the show, Mrs. Hudson never uses the word ‘gay’ to refer to John or Sherlock. Mrs. Hudson lives in the world we see portrayed in the show. She sees the exact same things we see, and her conclusion is that John and Sherlock are in love. This is significant: What Gatiss, inadvertently or not, is saying here, is that a sensible person who lives with John and Sherlock for years, naturally assumes they are queer, and in love.

Anyone would worry about John getting married so soon after Sherlock’s death, no matter what they thought about his sexual orientation and relationship to Sherlock - John suffered a massive trauma, which is not exactly an ideal time in which to form a long term relationship. If we suppose that Mrs. Hudson thinks John had a romantic and/or sexual attachment to Sherlock, again, her actions make sense: She tries to make light of things. Put yourself in her situation - wouldn’t it be easy to assume that John has panicked and is diving head-first into a relationship that won’t make him happy?

(Do I think this is the intended reading? Probably not. But it’s not impossible. And beyond anything else, it’s a very plausible reading, as I say, regardless of what is intended. And an important one, IMO.)

Thursday, 7 August 2014


"Mary is Mr.Hudson"
 John's and Mrs Hudson's conversation about marrige
 (Sherlock Meta by casehusbands)

I find it distressing that someone has yet to write a meta about how Mrs.Hudson’s marriage is a parallel to John’s marriage. Guess I’ll have to.

Throughout the episode we hear about Mrs. Hudson’s past. We hear about her wedding, her unusually upset best friend who leaves early, and we hear about her relationship with Mr.Hudson. I find it particularly telling that she’s talking to John in this exchange as he is her parallel in this scenario.

JOHN: Did you think you’d found the right one when you married Mr Hudson?

MRS HUDSON: (smiling) No! It was just a whirlwind thing for us. I knew it wouldn’t work, but I just got sort of swept along.

JOHN: Right.

MRS HUDSON: And then we moved to Florida. We had a fantastic time, but of course I didn’t know what he was up to. (Whispering) The drugs.

JOHN: (laughing) Drugs?

MRS HUDSON: He was running … um, oh God, what d’you call it? Um, a … cartel. Got in with a really bad crowd.

JOHN: Right.

MRS HUDSON: And then I found out about all the other women. I didn’t have a clue! So, when he was actually arrested for blowing someone’s head off …it was quite a relief, to be honest.

John is Mrs.Hudson’s parallel, and, seeing as Sherlock leaves the wedding early, Sherlock is Mrs. Husdon’s heretofore mentioned friend, which leaves Mary as Mr.Hudson’s parallel.

Sherlock leaving the wedding does three things. Firstly, It justifies Mrs.Hudson even mentioning her friend at the beginning of the episode in the first place, and secondly, it solidifies Sherlock as the parallel to said friend, and thirdly, it sets the expectation for the parallel to continue hereafter.

One could argue that it was fulfilled when John found out that Mary was much more than she claimed to be, an episode later when she shot Sherlock, but I think this goes deeper than just that deception, though it is a large one. Specifically because of the way John begins the conversation. Just a few lines prior, they were talking about Sherlock. Specifically after the fall.

JOHN: Mm. Don’t sound so … final about it. I will be visiting, you know.

MRS HUDSON: Ooh, I’ve heard that one before!

JOHN: Mm, no, it’s different now, though, isn’t it? It’s different to when we thought we’d lost him.

And then Mrs.Hudson goes on about how Marriage “changes everything”. And then she says;

MRS HUDSON: You meet new people ’cause you’re a couple …and then you just … let your old friends slip away.

JOHN: It won’t be like that.

MRS HUDSON: Well, if you’ve found the right one – the person that you click with – it’s the best thing in the world.

We go from talking about Sherlock, straight into discussing the legitimacy of your chosen life partner.

JOHN: Did you think you’d found the right one when you married Mr Hudson?

Did you find the right one? THE one? Did you marry the correct person?

And Mrs. Hudson is quick to reply.

MRS HUDSON: (smiling) No! It was just a whirlwind thing for us. I knew it wouldn’t work, but I just got sort of swept along.

She knew it wouldn’t work. She just got swept along. Because of the parallel that has been drawn, what does this say about the fate of John’s marriage and about the severity of the secrets Mary may be hiding from John?