Showing posts with label Tom. Show all posts
Showing posts with label Tom. Show all posts

Saturday, 1 April 2017


Sherlolly in The Sign of Three
 (Sherlock meta by ladylillianrose)

Okay let’s discuss the various Sherlolly things in The Sign of Three shall we? [...]

Firstly, Archie. Yes, yes I know not technically Sherlolly, but come on. You can’t tell me he’s similar to what a child of Molly and Sherlock would be like. Stubborn, curly haired, interested in murder, totally could be their child. And he causes Sherlock to sort of look at children differently, his little “hmm” when Archie comments on the maggots in the eyes being cool. Almost as though he’s thinking, you know kids aren’t that terrible when they’re not screaming or misbehaving. AND he technically solved the murder!

Then there’s the weird photograph moment with Tom and Molly. Molly is clearly attempting to give him a proper kiss, he is her fiance and they are at a wedding. But Tom seems reluctant and more focused on the photographer taking their picture. Wedding photographers (even the murderous ones) like to take a variety of photos, so an engaged couple who are friends with the bride and groom, kissing would be a sweet photograph. It just bothers me that Tom seems to almost be pushing her away.

And then of course there’s Sherlock in the background keeping an eye on his pathologist. Thought we didn’t see you there did you?

The Speech/Telegrams. Molly seems to be the only one genuinely concerned about Sherlock having to give the speech to a roomful of people. She knows that it’s completely different from when he deduces people, deals with the press, etc. This speech requires sentiment and emotions, which while he’s gotten better about them over the years, are still not terribly easy for him to express. And certainly not to a large group of people about his best friend. Both Lestrade and Mrs. Hudson believe he’ll be fine because they’re assuming it will be just like when he’s explaining about a case. He’ll ramble on, but have no issue delivering it to a room full of people because he’s a show off. But this is far more personal, and Molly understands that. Which is of course why she’s so concerned. And of course the telegrams will be full of sentimental messages, which she knows he’ll have trouble dealing with the wording of them (full of sentiment and nicknames, etc.).

And on the subject of her phoning Mrs. Hudson, she’s calling from work, her goggles specked with blood, in the middle of something (she still has one glove on and a tool in her hand) to discuss Sherlock and his role in the wedding. And then we of course see John talking to Sherlock about his role in the wedding, and what’s Sherlock doing? Experimenting with a blowtorch and a human eyeball. Please try and tell me they aren’t beyond fucking perfect for each other.

Then there’s the looks she keeps giving him throughout his speech. She’s smiling, biting her lips and fiddling with her engagement ring, all while looking at Sherlock and sitting a decent distance from Tom. She’s sitting closer to Lestrade than she is to Tom, which is incredibly unusual to be doing at a wedding when sitting with one’s significant other (unless you’ve had an argument or something, and this position is prior to Tom being a complete and utter idiot!).

Her face when he asks Lestrade about the murder, is priceless. She’s just trying to keep from laughing out loud because she knows Sherlock is teasing him and that Lestrade has given a ridiculous answer. And then Tom opens his mouth. The look on Sherlock’s face is one of polite behavior, almost as though he’s telling himself internally, “Be nice for Molly’s sake.” The minute he says anything Molly looks like she’s about to kill him. Firstly if Lestrade couldn’t come up with a decent answer she knows Tom’s answer is just going to be worse. And then he stands up awkwardly, so of course everyone sees and hears him, and gives his “meat dagger” theory. Which again has Sherlock refraining from making any comment apart from repeating “meat dagger” in a questioning tone and no. And poor Molly looks like if he weren’t standing she’d be giving him a swift kick to the leg. Her “sit down!” is totally in the tone of, “you’ve completely embarrassed yourself and me, so shut up and sit down.” Because we all know she’s an intelligent woman, so one would hope that she would find an equally intelligent significant other, which Tom is clearly not.

Then he goes to see her about the stag night. She thinks the murder scenes theme is odd, but then when she see’s what he means with the personal touch, she genuinely says “delightful.” She speaks/understands Sherlockease, so she gets that it’s meant to be a sentimental gesture. Hell if it weren’t a stag night Molly would probably be up for a pub crawl along the same theme. His coming to her about the “practical experience” is of course rubbish. She points out that he’s a graduate chemist, and we know he’s had a history with drugs (so of course he knows how substances and body chemistry work), so there’s no reason for him to come to a Pathologist for this data. And then when he fumbles about with Molly’s teasing (which I love that she’s able to do that with him) and then realizes that she’s teasing him he gets flustered. “You look….well,” was of course not what he was going to say. In the past he’d have complimented her in order to get his way, but he won’t do that to her anymore because she counts. And then there’s him actually making an effort to remember Tom’s correct name!!!! The man can’t remember Lestrade’s first name, and though it takes him a minute he remembers Molly’s fiance’s name because it’s Molly and it’s important to her. The not a sociopath comment is of course great, and I think people are misconstruing Molly’s comment of, “and we’re having quite a lot of sex.” It perplexes Sherlock, but it’s a connecting thought to the "not a sociopath", because Jim was a GAY sociopath. So she’s merely running with that theme. It’s just my theory, to be fair, but that was my first thought, Tom’s still not a sociopath, and she’s established that he’s heterosexual.

Then there’s when Sherlock realizes the Mayfly man is there. He says he’s come up with ways to kill friends and colleagues, and while he doesn’t mention Mrs. Hudson (because she’s like a second mom to him) he also doesn’t mention Molly either. Probably because he knows from first hand experience how Molly is capable of helping him fake his suicide so hiding a body or making a murder look like an accident would be simple for her. I see it as a compliment to her abilities and how highly he esteems them.

And Tom of course has to go and open his big mouth again, assuming Sherlock’s drunk. But apart from John, Mary (whom John told), and Lestrade (who had to be told by text), Molly is the only other one who gets that something related to the murderer is happening. Which of course is why she stabs Tom with her dessert fork, not even looking at him in regret (she doesn’t take her eyes off of Sherlock).

And finally there’s the reception. Molly doesn’t take her eyes from him the entire time he’s playing his violin, she’s in a spot close to the stage specifically for the best view of course. Then after he finishes his piece he tosses his boutonniere to Jeannine with Molly standing right next to her. She pulls a face, not the face of a woman who has a wonderful fiance (who she is standing far away from).

When Sherlock leaves, looking sad, as we’ve all of course pointed out the comparisons. Molly is of course the only one who sees. And you can see her struggling with whether or not to follow him outside (and oh how I wish she had!) but I think she reminds herself that she’s engaged, and continues dancing with Tom, almost sort of settling. She’d rather run after Sherlock and throw her arms around him, but she’s a good person and doesn’t want to hurt Tom and has decided to settle for less than what she deserves (not saying she doesn’t deserve to be happy, but come on we all know she is obviously not happy with Tom).

[...]

Thursday, 16 March 2017


Molly doesn’t want a “normal” relationship
 (Sherlock meta by vesperass-anuna)

Q: I always thought ‘Tom’ was to show that Molly could never actually be in a normal relationship. That even when she got everything she supposedly “wanted” and “needed” - it wasn’t her type of thing. Just saying.

A: I’m in a rambly, meta-y mood, and I’ve seen [the] entire [s1-3 of] Sherlock like three weeks ago, and then rewatched most of it and ended up shipping Molly and Sherlock, like, A LOT and this is one of the things I’ve been thinking about -

To me it wasn’t “Oh poor Molly can’t have a (normal) relationship” (I’m sure there are people who see it like that; I however don’t). Maybe it’s my ship tinted glasses (d'oh, of course it is), I agree - Molly doesn’t want a “normal” relationship. In regards to “normal” I think she might be like Sherlock - normal is dull, it’s boring. Why else would she have a crush on a man who does mad science and bizarre experiments and requires dead bodies for it? Sherlock is interesting, and exciting - because he’s smart, he’s different, he defies societal norms (and so does Molly, her clothes illustrate that rather vividly), and I doubt mister meat - dagger - Tom is her idea of happiness. Sherlock is a catalyst of things. He pushes (sometimes too much), he says inappropriate things, he’s a challenge, and considering Molly’s change through [the first three] seasons of the show, it’s a challenge she can handle. Not only that, she pushes back, ever since she told him ["you always say such horrible things"] Sherlock was an absolute ass to her, and she was there in her pretty dress, and didn’t try to hide anything, instead she shows him she’s hurt, and that’s something that affects him. The fact that she doesn’t shy away in embarrassment shows that she’s strong. The fact that she doesn’t start hating him, even after all the awful things he’s said speaks enough of her character. She’s not a person who simply allows the big bully Sherlock to do what he wants, she calls him out on things which aren’t okay, and teaches him something. As a result he changes. That’s the challenge. Someone who provides a push and pull sort of dynamic, and is also interesting and smart and defies the rules.

There’s a sceencap of them that I love, walking through the hall of St Bart’s next to each other - him wearing the coat - the coat he’s always wearing, and if that’s not weird I don’t know what is - and her wearing a potpourri of colors; clothes that would look horribly mismatched on anyone else, but on her they just work. In that aspect they’re similar. They don’t belong to the side of predictable and routinely boring. They’re both wierdos in a way - so no - Molly can’t have a “normal” relationship, and doesn’t want one (although she would enjoy some aspects of it, like going out on weekends) - not when she spent years being fascinated with [the] weirdest guy you can imagine.

Finally, what comes to mind is that essay from one or so years ago - Don’t date a girl who reads - which basically says, a girl who reads doesn’t want a life that’s dull and ordinary; she wants a life worth of being storied, and I feel that’s also true for Molly. She doesn’t want normal, she wants extraordinary - just like she is extraordinary.

Monday, 1 February 2016


A conversation about Lestrade and Tom at the wedding
(Sherlock Meta by urbanhymnal, provocatrixxx and anneincolor)

urbanhymnal:

I need people to talk about how sad Lestrade looked at the wedding. We have a picture of him sitting off at his table, drinking by himself while everyone else is mingling and chatting. Then he had to sit next to beautiful, literally looking-like-a-ball-of sunshine Molly and her fiance, Tom. Everyone around him is so happy and there is Lestrade and his troubled marriage, all alone. No plus one with him.

He gives up on a huge arrest to check on Sherlock (making a bit of a fool of himself by scrambling over there with back up), gets left out of the stag night, and doesn’t get to party after the wedding because he has to clean up the mess again. He didn’t get to dance, either.

Papa Greg deserves better, damn it.

provocatrixxx:

Do you think maybe he’s feeling.. not ‘old’ old, but just… very aware of the passage of time?

I mean, he’s watching John marry Mary, and Mary is perfect for John. If we assume that John is one of his closest male friends, which seems reasonable, the happiness that he feels for John is going to be shadowed by his own insecurities. John chose the perfect woman and is marrying her and is glowing with it. Greg’s own marriage was completely wrong for him. For someone in Greg’s position, that’s going to hurt, there’s going to be something in the back of his mind that says he will never find his own perfect partner.

Molly, I think, is an extension of that. She was pining for Sherlock, but she decided to move on and she’s sticking with it. See how confident she is when Sherlock visits her in the lab? She makes him apologise to her. How very different from the first time we meet her and her faffing with the lipstick.

And Sherlock too. He’s difficult, he delivers an absolute mess of a speech, but he’s trying. And he gets there. He gives John a fantastic wedding. He’s slowly becoming ‘good’ as well as great.

So where does that leave poor Greg? He’s still in his job, he’s either still with his wife and unhappy about it, or he’s in a cramped little flat somewhere that’s dark and distressing which is why he lives in his office.

Everyone around him is going through massive changes and coming out the other side of them as better people. Greg is solid and dependable and that’s why we love him, but he’s too old and too tired to change any more.

For me, I think John’s wedding is that realisation in technicolour. Greg’s job is to be solid, and for the most part, I think he’s happy with that. But sitting at a beautiful wedding beside the woman who took her life back and became fierce with it has got to hit him somewhere in the gut.

Poor Greg. What are your feelings about Omniscient Older Brothers who spend too much time on treadmills?

anneincolor:

I think we all know that Tom is a sort of placeholder, at this point. Molly was positively horrified by his contributions to the wedding. He only speaks to make her upset and embarrassed, which does not bode well for his future as a character. I mean… Meat dagger? If you notice, when Greg does his thing about the dwarf, Molly isn’t upset; she’s got second hand embarrassment, sure, but her face looks a bit… endeared. She likes Greg, she knows Sherlock likes Greg, she’s not concerned that he didn’t get the correct answer. When Tom stands, though, and then speaks, she looks like she wants to fall through the floor. No matter who Molly was at the beginning, she’s now a part of Team Deduction, and Team Deduction has pretty simple rules: Greg can be kind of an idiot, John can be overly sentimental and “miss everything of importance,” but no one else gets a lot of leeway to be wrong in Sherlock’s presence. Tom can’t be a Team Deduction member, and thus, he’s always going to be outside.

The framing of this episode captured Greg and Molly together over and over again. I’ve been shipping this couple since ASiB, because of his reaction to her when she took off the coat, but I do think that we’re being set up to think about Greg pining a bit after Molly. We can assume he didn’t cross her path much since Sherlock was gone, but now that Sherlock’s back, there’s a chance again - only, she’s engaged to this complete idiot. There are several emotional moments in TSoT where Greg and Molly share a look, most intimately when Sherlock says he never expected to be anyone’s best friend. These are people who understand Sherlock, who love him, who’ve known him much longer than John, who at points define themselves by their association with him. Both of them.

My hope for Molly is that she recognizes Tom for what he is: an attempt to not-really-move-on from her hopes about Sherlock. And then, maybe once she ends that and has a few girl’s nights, she could look across the table at Greg, because (in my humble opinion) they would make a fantastic couple.

While I’m pretty much neutral about Molly/Greg I do have to say that I think that the storytelling was incredibly clear about Molly not in fact having moved on. At this point, I would rather see her happy with pretty much anyone (or happily single, that’s a thing that does actually happen) than to settle with someone she’s not happy with. I have to admit to being pretty torn about some of her behavior in this episode.  Tom may not be brilliant but he probably loves her and thinks she loves him, and she treated him pretty harshly.  I would love it if she did the mature thing and broke it off.

I also really hope that they aren’t just keeping her on the hook for Sherlock because 1. boring 2. boring 3. that’d be a dick move to pull on a character they claim to love and leaves her stagnant, growth wise.

Wednesday, 9 December 2015


Unpopular opinion: I don’t actually think Tom was all that bad
 (Sherlock meta by iamazonian)

Yes he was a bit of the wonky type, and he was awkward and stuff, but I don’t think there’s anything wrong with that! And if you think about it, his theory was actually kind of sound. I mean, a dagger made of the same thing it aims to pierce, so the murder weapon camouflages itself in the body it murdered? I actually like it!

And he was just trying to make conversation with Molly and she cut him off with a fork stab, which was probably the physical form of the emotional pain caused by Sherlock cutting Molly off in previous seasons whenever she made conversation. And he was all awkward and shy and I actually felt a bit for him because… He might actually really have loved Molly, and was then being continually slapped in the face by the presence of someone /better/ (in Molly’s eyes).

Where have we seen this before? Didn’t we all feel so INCREDIBLY bad for Molly in A Scandal in Belgravia? We got so annoyed at the writers doing everything they could to show how Molly was “eclipsed” by the amazing flawless beautiful Woman. The lipstick, the gift, the body, the phone, everything! And then, the same thing happened to Tom. [...He] turned out to be a normal bloke who fell in love with Molly Hooper and got his heart shredded slowly.

What I’m saying is, Tom was innocent. Tom was almost like Molly in the way that Molly was to Sherlock in the [previous] two seasons. Molly actually seemed a bit crueler considering she was committing herself to the man whilst being so obviously in love with another. –