Showing posts with label HLV Mind Palace. Show all posts
Showing posts with label HLV Mind Palace. Show all posts

Wednesday, 29 March 2017


An in-depth analysis of the Mind Palace sequence in HLV and what it means for Sherlock and Molly
 (Sherlock meta by creamocrop)

I got carried away in analyzing Sherlock’s mind palace and Molly’s presence in it.

Yes, it has been pointed out again and again that Sherlock envisioned Molly, a pathologist who works with the dead, as his saviour when he could have imagined John who is actually an army doctor and who, I imagine, has more practical experience with bullet wounds, because of you know…being from Afghanistan! 

So going by the fact that his mind resorted to an image of Molly rather than someone who is an expert in dealing with life and death situations, he clearly feels something for her. Right? right? Because you know…he associates her with safety and survival. -

[...]

But I don’t think that’s just it - although to be honest, associating someone with safety is actually kind of a big deal, but let me just backtrack a little.

I might just be over-analyzing things but I have always been fascinated with the concept of mind palaces so I am just going to go ahead and give a little analysis.

The first thing I noticed when she entered was that she wasn’t immediately all sciencey, which is what I expected at first because it was after all, Sherlock’s analysis of his own wound and he is merely projecting people in his mind - basically he is just speaking to himself. If he was as ramrod-straight-purely-logical human being, as he always claims, Molly would have immediately launched an explanation and formulated a course of action, but instead, she opened with stating how it’s not like the movies. Notice how she was moving in true Molly fashion - wriggly, quirky and lively. This, I think, is a wonderful way of introducing her as part of Sherlock’s mind palace, because I can see this scene as a parcel of Sherlock’s memory wherein they had discussed a bullet wound while they were in the morgue. In short, he wasn’t just projecting a Molly-the-pathologist-who-has-seen-a-lot-of-bullet-wound-and-knows-how-it-causes-death, he was remembering Molly.

He was dying and the first thing he sees is a memory of Molly.

What was that they say about seeing your life flash before you when your dying? Yeah, I think this is a form of it. I once read that this flashes are all usually happy memories because it is the brain’s way of comforting the body as it goes through a traumatic experience. This is the first sign that confirms how Sherlock’s consciousness associates Molly with safety.

The next scene was more Sherlock. 

(Before we move on, let’s just appreciate the fact that Sherlock’s mind palace includes a morgue.) 

Anyways, as I said, the next scene in the-too-bright morgue has more Sherlock element in it. Now this, is Sherlock analyzing his body. Molly was talking faster, was more serious and is delving into more sciencey stuff, talking about the physics of the bullet and how it could affect his body. She concludes by saying that he’s almost certainly going to die. Notice how she became fuzzy all of a sudden before she said this? It was his body showing him that death is near but he needed Molly to say that to him in the face. Her stating it, allowed him to move past the first stage: denial.

So, if your body is already saying bye bye using the face of someone you know deals with death, what happens next?

You panic.

And so he does, which is why Molly told him to focus. Que the slapping. Twice. By now, I bet slapping is already the rig of our little ship-that-could, and so it should be, because it clearly made an impact with Sherlock. He retained the memory of Molly slapping him and he associated it with maintaining focus. In real life, Molly slapped him three times because she wants him to remain focused with all the beautiful things he has - his born gifts and his friends. Although he had been a bit of a douche afterwards - not really saying sorry in the way she wants him to - and being seemingly unaffected by the slap by making a joke about how he’s glad that she did it without a ring, his mind palace clearly showed us that the slapping had made its mark - can I say pun intended in this part?. Anyway, I bet from now on, when he needs to focus, he’ll just see Molly slapping him, instead of having to slap himself like the way he did in The Sign of Three. 

Speaking of The Sign of Three, remember how Mycroft was there in Sherlock’s mind palace to talk him through solving the case? Oh look, Molly was talking him through staying alive! Parallels, anyone? See, the importance of this is that if Sherlock sees Mycroft as his equal (or greater than, based on how he is on a pedestal and Sherlock has to look up to him) when it comes to thinking logically, enough that he seeks him out when trying to solve a case, then clearly he also sees Molly as an equal when it comes to medical and science knowledge, enough for him to discuss with her how he is dying. Take that, people who thought she was just a lab tech/assistant - which she really isn’t for she’s a Specialist Registrar, and from what I’ve read so far, we should probably kowtow to her for being that. 

Going back, the following scenes however, highlights the contrast between how Sherlock sees Molly and Mycroft. If we put his interaction with them side by side, we’d see a lot of differences. His subconsciousness always put Mycroft on a pedestal. First, in The Sign of Three where Mycroft was in the judge’s table, high above where Sherlock was. Now in His Last Vow, Sherlock reverted into his younger self and the camera angle shows him looking up to Mycroft. With Molly however, they were always equal - except maybe for that time when he was lying on the slab and she was looking down at him, which I think does not connote any feelings of inequality because as said earlier, that was the time when he was panicking and his consciousness acknowledging the fact that when it comes to death, Molly has the authority.

Another difference, is that If Sherlock associates Molly with the too-bright morgue, he places Mycroft in a dark, shady office where his intelligence was belittled. Molly’s presence was comforting, and although they were both analyzing what he should do, there was no restrictive atmosphere. She allows Sherlock to come to his own conclusion and there were no insults involved. With Mycroft however, even though Sherlock’s also consulting with him, our dying consulting detective reverted into being that kid who thought he was an idiot. 

Really, the whole mind palace sequence was a gold-mine! I’m quite glad they added this because it allows us a peak in the complex mind of Sherlock.

I’m just going to fast-forward to their next interaction -which is also one of my favorite in the whole sequence - wherein Sherlock now has to decide which way to fall. Oh hi, Anderson!. You see, I love how they added Anderson in the whole element simply because his presence and actions highlighted something important - probably the most important thing and the one I really want to emphasize in this post: Sherlock’s trust with Molly.

Before, when they were discussing how he should fall, Anderson was behind Sherlock while Molly was in front of him, but when it was time to fall *ahem The Reichenbach Fall ahem* , they switched places! It was almost as if Sherlock was about to perform a trust fall with Molly (again) - which in essence is actually what he was about to do. He was putting all his trust in his and Molly’s analysis that falling on his back will save him.

Oh The Reichenback Fall, it was almost as if it was just yesterday… 

So he falls…and goes into shock.

But he did not recognize it at first. You know, for a genius like him, one would think that he would know what happens next, but he didn’t! He had to ask Molly what was happening! This is another significant development because Sherlock, in real life, doesn’t always ask the opinion of others. He just assumes that he knows and that he is correct. In his mind palace, at the moment when his mind is having a hard time focusing and getting the answers right (as was demonstrated by his and Mycroft’s talk about the gun and the exit wound), he finds the right answer with Molly! This shows the reason why Molly is Sherlock’s pathologist.

He believes in her analysis - and he doesn’t question it.

(While we’re at this, let us take a moment to remember how he - a chemistry graduate- asked her help to develop algorithms to ensure that he and John would have a nice stag night, when he could clearly do it by himself.) 

Okay, fast-forward a little bit and we see Molly telling him to control the pain. Again, Molly sets him straight. In fact, for the entire episode, this is what Molly does - showing him what he really needs to see and telling him what he really needs to do.

You know what that makes Molly?

His ego.

She is the perfect balance between logic and sentiment and no matter what he had said and done to her before, I think that Sherlock knows this too. It is why in the moment when his body (sentiment) and his mind (logic) were both vying for control over him, it was Molly that he saw.

It was Molly that he needed.

Sunday, 5 March 2017


Even in Sherlock's mind, Moriarty always underestimates Molly
 (Sherlock meta by creamocrop)

Q: Loved your analysis of the Mind Palace! What's also interesting is that when his "Moriarty" (extreme crazy id?) tells him who will be crying for him, he never mentions Molly: even in Sherlock's mind, Moriarty always underestimates Molly: the one who always counts.

A: Thank you very much! Now, you hit this one on the spot! Moriarty in strait-jacket, wrapped in chains and locked in a padded room is arguably one of the scariest scenes in Sherlock so far. Props to Andrew Scott! 

Now on to the fact that Moriarty missed Molly again! When he was actually listing the possible reactions of the people who cared for Sherlock if he dies, I was actually crossing my fingers and was hoping that he would forget Molly again - and boy was I glad that he did.

Because, you see for me, mind-palace-Jim remaining clueless about how vital Molly is in Sherlock’s life, is very important! The mere fact that this Jim still has no idea about what Molly did for Sherlock, means that even though our dear consulting detective is scared of him (why else would he place Jim in such a secluded and heavily secured place, if he wasn’t), his ability to compartmentalize and keep his mind palace objective and organized remains top-notch. He did not let his fear of Moriarty rule him and leak a very vital information.

Even in his mind palace, Sherlock knows that he is safe from Moriarty as long as the consulting criminal remains in the dark about the woman who mattered the most. See, this again shows how Sherlock associates Molly with safety and survival.

She is the barrier between Sherlock and Moriarty.

She is the barrier between Sherlock and his fear.

Saturday, 25 February 2017


His Last Vow Sherlolly Analysis
 (Sherlok meta by coffeewithsugarplease)

[...]

The first instance of Molly in this episode is when John says he is going to ring her. Now, this was interesting. John now calls Molly by just “Molly”, instead of her full name like in previous episodes. They have spent more time together and they are more familiar with eachother. He relies on her to provide him with a proper test result, knowing she will do it well and won’t try to protect Sherlock. When John says he’s abut to ring Molly the camera shows us Sherlock and you can see his reaction. He seems like he’s annoyed that John is making such a fuss and now he’s gotten Molly involved. He’s almost cringing that Molly will have to get a way from work to handle his piss and she also knows then he’s been back on the drugs. He doesn’t want Molly involved. He doesn’t seem to care Mary is there, but he doesn’t want Molly to know.


Now, onto the lab. A drugs test can take hours, but that is only if they are looking for particular substances. Molly was just looking to see if there was anything in his urine. The time- passed isn’t that long as Mary is still wrapping up ‘Billy’s’ wrist. So I would say about 15-30 mins have passed while they are all in the room, as Mary would have had to find the bandage – perhaps Molly provided it after she found out what has happened.

Here is the good bits… You ready… I watched this on slow-mo to ensure I got it all right. This is MUCH better than I thought it was.

While Molly is doing the test, Sherlock is looking away from everyone. Now this man is high, quiet, looking and smelling worse for wear. He’s embarrassed it has come to this, and perhaps a little annoyed. He didn’t seem to mind John finding him on drugs (he introduced himself), he didn’t mind when Mary saw him… but now he minds. Because Molly is there. Molly is taking time out of her day to test his own piss for drugs and he hates it.


Molly is now visibly angry. By the way she answers John I would say he wasn’t just a little bit high, he had a lot in his system. She snaps off her gloves and strides over to him. She squares up to him. No longer is Molly afraid to be close to him. She is so angry, because she risked her job and her freedom (what she did was illegal) to save this mans life and he is throwing it away. She’s upset and furious. If you look at Sherlock here he doesn’t make eye contact. When John speaks about the test “Clean?” he looks at John, but then back at the floor. He doesn’t look at Molly. Not until she is right infront of him about to slap him. She squares up to him. The camera shows us both their stances.

The first slap takes him by surprise. In this shot we see them both.


Then the second time Molly licks her lips and slaps him again. It is interesting to note that we are shown Molly’s face when she slaps him, and his face afterwards. It’s all about her hitting him, and all about him receiving it and realizing something. If you look closely at his face after the second slap he doesn’t look as shocked as before. It’s like he’s realizing her slaps are bringing him out of his high a little. He’s focusing. (might be why she does it in the mind palace but more about that later). After the second slap though she STILL cannot look her in the eye. When his head comes back around his eyes either go above her, or down at her coat. He can’t meet her eyes.

We see John’s reaction now, John actually gulps after the second slap. The final time she slaps him we see her face again, but this time it’s not anger, it’s pain. Her face is different. Sherlock then decides he doesn’t want to be hit anymore and nurses his face. Stopping her from continuing. He’s trying to focus and make sense of things – he’s still high, he looks away blinking. But her expression is still firm. Still no eye contact. He’s uncomfortable because he’s hurt her. Molly is fierce and calls the shots. We see both of them again now. Sherlock is still leaning on the counter, rubbing his face and Molly is still standing unyielding and straight.


We then get another glimpse of John, he’s watching them, watching the obvious change in their relationship. Note that when we see them again John is in the foreground, he’s behind Sherlock. He could he shown to be in-between them, but they have decided to put him off to the side – Sherlock’s side. John is not getting between them.


Molly speaks now, “How dare you…” She uses strong words. Dare, betray. Demanding he says sorry. She is truly hurt he has done this to himself. She cares enough about him to behave like this. But then he goes on the offence.

Only here does he make eye contact… briefly. When he mentions her engagement, infact it’s even on the word “engagement” he looks at her and then proceeds to either look to the side or above her.

Now she is really angry, the pain has gone and she’s angry again. Her teeth are gritted, her eyebrows are dipped and her nose is scrunched up. That’s an angry face of ever I have seen one. Molly Hooper is not backing down.

John then chimes in, we see Sherlock once again looking above Molly and not at her. Then Sherlock makes eye contact with John, then to the floor, then to Molly’s coat. Only for a few moments of John talking he gets frustrated. Now Molly had a go at him for a lot longer. Sherlock closes his eyes and gets visibly angry, then he turns to John (with his eyes still closed) and opens them on John and releases his anger on him, NOT Molly. They bicker for a bit and Molly seems surprised Sherlock can still deuce I this state.

Another good moment was when Sherlock got a text message he looks at his phone as says “finally”, then Molly asks “finally what”. Billy then says “good news?” Sherlock replies to Billy not Molly by saying “excellent news” and looking at him. He only looks at Molly again when he says “excuse me” Molly is the last person he sees in the room, as he gazes over her last. Then flings “for a second” into the air above them.


Ahhhh the mind palace…

I had this thought. “Betray the love of your friends”. When Mary shoots him, he feels betrayed. Might mean something, might mean nothing – but who said that to Sherlock… Molly. Then all of a sudden we see her. It’s also good to note that Sherlock only looks at her once during his mind palace scenes. Just once also.


Molly pops up with humor. In her coat. Ready for business. Behind him – always behind him. She’s got his back. Wearing the SAME CLOTHES as she was when she slapped him, wearing the same hair style and the same lipstick. It was THAT MOLLY that engraved it’s way into his mind. They have known each other for years, and she has worn some pretty colorful stuff in the past. But he didn’t want to remember those moments of Molly – He wanted to have THE moment of Molly, when she stood up to him. When she showed she was no longer a mouse. As seen here.


It goes all white and she gets serious and sciencey, Sherlock is on the table, but she is talking to the standing Sherlock. She is telling him about the wound. Then she starts talking to the Sherlock on the table. It goes all blurry when she talks to the table Sherlock. She slaps him to make him focus. Then a second time. She notes she’s in his mind palace, then tells him how much time he has. This is the 2nd time he makes eye contact in the whole episode. When he NEEDS her. She is standing over his body and talking to his standing self.


Then she’s asking the questions. But when she tells him he’s right about the blood loss, he looks surprised she’s there. She’s supportive when she’s asks about the exit wounds. Mycroft isn’t, he’s logic in Sherlock’s mind. Molly is reassuring him, asking him questions and keeping him focused. Mycroft is smarmy, insulting and belittling him too. Molly tells him to fall on his back, then she and Anderson swap.

Molly is once again behind him as he falls. Like a trusting exercise. Molly is calm, when he goes into shock. Sherlock s not. Once again Mycroft is smarmy “don’t go into shock, obviously”.

Then he starts to fit and MOLLY is in the same place as Redbeard. When he went to the dog it was some sort of corridor. That was him finding something to relax. Then he starts to lose his cool and he falls onto the carpet in the room. But then Molly shows up in the same ‘lets be calm, think of something calming’ corridor and instructs him again, once again behind him.


When Moriarty is in that little room, he tells Sherlock about the people who will cry. He mentions, Mrs. Hudson, The Woman, Mary and John. No mention of Molly.

I’m not sure why, but it’s something I picked up.

Then onto the bolt hole…

Right after his Brother, we see Molly. She was the next person to go to after his own brother. She has a sandwich, Satsuma, coffee and no ring. It's not known who is talking to her. But her hair is off to the side. Her fingers are fidgeting.

“Just the spare bedroom, well my bedroom. We agreed he needs the space.”

This is after he is shot. So it’s natural she is worried about him. The only bolt hole she might now of is her room. When she mentions her room she get a mixture of seriousness and fangirling. She then takes a drink to stop herself saying anymore and looks off into the distance, trying not to make eye contact with whoever is interviewing her.


Now I took this as Sherlock might stay over [at] hers, but he might kick her out of her room, or use it when she’s [working] nights. I don’t think it means they share a bed platonically. It also might mean that she knew about Janine and that Sherlock needed to escape from her now and then, and felt jealousy towards Janine. Again I don’t know for certain. Perhaps you can shed some light on it.

I personally think it’s telling he made minimum eye contact with her. He was clearly ashamed of how she saw him. Considering during the first episode before she comes over he is tidying himself up the mirror for her arrival at 221b. Now he looks like shit and she is seeing it.

Well there you go. [...]

Wednesday, 1 February 2017


Mycroft and Molly: The two most important people inside of Sherlock’s Mind Palace
 (Sherlock meta by doortotomorrow)

This would be a great time to talk about the two most important people inside of Sherlock’s Mind Palace and what they symbolize inside of Sherlock’s subconscious.

In the entirety of the Mind Palace sequence, Mycroft and Molly are the two most prominent people we see and Sherlock’s reaction to when they switch places is a great way to gauge what they mean to Sherlock.

When Molly is by his side, Sherlock is able to speak, he’s able to breathe easier, and he’s open and receptive to communication. He’s more in control of the situation, and just thinking about Molly has placed him in a more relaxed state meaning he can think through the problem easier.

However when Mycroft shows up, Sherlock completely shuts down. He’s not able to speak, his breathing becomes erratic, and now he’s back into panic mode. He’s not able to think the problem through rationally; he’s paralyzed.

So what does this mean? It means that Sherlock associates Molly with being in control and being in a relaxed state of mind. She represents safety, security, and in this situation, life. Molly is Sherlock’s lifesaver when he’s been thrown overboard.

And even though we know that Mycroft loves his bother regardless of what he says, the way Sherlock perceives him is the absolute opposite. Sherlock has always felt intimidated, inferior, and has felt like a failure in comparison to him so that’s exactly what Mycroft represents. He represents fear, failure, and ultimately death in this scene.

So what we have here is an epic battle between Mycroft and Molly for superiority. Molly and Mycroft are fighting for the key to Sherlock’s heart and ultimately in the end when Sherlock reaches the deepest recesses of his subconscious, the last word we hear him utter is “control”. In the end, Molly overthrows Mycroft and sends him packing as Sherlock’s brought out of the limbo between life and death.

We already know that Mycroft has been paramount in forming Sherlock as a person due to how he was treated when he was a child, so what does that make Molly then? The person who’s been helping him become a man, and that’s why she matters so much to Sherlock.

Whenever there’s a big leap in development concerning Sherlock’s character, Molly’s almost always there to start it. She’s the catalyst, and in the end, she has made a profound impact on Sherlock’s life if she’s been able to reach this far into his mind.

All hail the queen.

Sunday, 20 December 2015


Sherlock Series Three: A Study in Relationships
 (Sherlock meta by strawberrypatty)

This series of Sherlock is different than previous ones in that is it not mystery focused. Yes, mysteries do happen… But they are backdrop to the characters and their relationships. Please note, when I say “relationships”, I mean in the broadest sense of the word. I mean platonically, fraternally and romantically.

There are four relationships (well, three and half) that are really the core of this series. They are the ones that evolve and develop over the three episodes. While there are other relationships present, there is not much change from what we’ve seen before.

SHERLOCK AND JOHN (AND MARY) 


As with every series of Sherlock, this relationship is the most significant. As it should be. Holmes and Watson are timeless companions. Without them, there is no show.

The first episode of the series is about Sherlock reintroducing himself to John and regaining his trust. John has spent two years thinking Sherlock is dead. It is implied in the dialogue that it’s only been in the last six months that John has been able to truly move on. While no doubt he had recovered somewhat before he met Mary, during John’s aborted proposal, he says that Mary is the best thing that could’ve happened to him and that the last few years had not been easy for him. He was deeply affected by the loss. He has cut himself off from people he knew along with Sherlock like Mrs Hudson and has only recently become comfortable reacquainting himself.

Going through all of this, John has difficulty letting Sherlock back into his life. Naturally, he feels betrayed. It is not just that Sherlock lied to him. He is angry that other people knew. He lashes out at Sherlock when he discovers that Mycroft, Molly and members of the Homeless Network knew. For everything they went through, Sherlock didn’t trust him to keep the secret. Sherlock says this outright. He thought that John might say something indiscreet.

The first episode makes clear that while these two men mean a lot to each other, they are not each other’s entire worlds. John is happy working as a General Practitioner. Sherlock is taking cases. However, they are on each other’s minds. I really think what is preying on them is the fact they’re trying to ignore the other. They haven’t been able to get to the point where they can go off and have an adventure together and then go their separate ways. This is what they need to get to. They get to it in episode two and are quite happy. However, the danger of the Magnussen case– and the upcoming baby Watson– means Sherlock is shutting John out. This is to the detriment of both of them. They are stronger together.

But that doesn’t mean they have to be with each other every moment of every day. John loves Mary and he does love the life they’ve made. But he still has to have that connection the danger of being with Sherlock Holmes. Meanwhile, Sherlock does like doing cases with Molly. But he’s stuck on the fact that John is angry with him at the time and he doesn’t think John will ever forgive him.

The plot of this relationship is what exactly they mean to each other. The first episode centres around what Sherlock means to John and John’s forgiveness of him. Things are not okay between them until John admits that Sherlock is the best man he knows and a deeply important part of his life. But even this is treated with humour. Sherlock tricks John into revealing this and laughs when John becomes affronted at having revealed it. They are friends. They are true bros who will make fun of the other for revealing something so deeply personal.

The second episode is about Sherlock’s feelings for John. Sherlock worries about the wedding not going perfectly, because he knows what it means to John and Mary. He knows John wants to have a perfect, domestic life and he’s trying to pull himself away, while John is trying to prove to Sherlock that nothing will change even though he is getting married. But everything changes. When Sherlock discovers that Mary is pregnant, he knows that John can’t come out with him any longer. That the days of them running headlong into danger at a moment’s notice is truly gone. But he vows he will always be there for John and his family.

The third episode is the culmination of the previous two. We find out just why John is so attached to his life with Sherlock. It is an addiction for him. He has married a woman who is very much like Sherlock. He needs to have the danger in his life.

While Sherlock thinks Magnussen is the worst villain he has ever gone against, once he finds out about Mary his focus completely shifts. Sherlock is willing to go to great lengths in order to keep the vow he made. While there is of course the obvious, not enough attention is spent on the intermezzo. Sherlock breaks out of hospital and bleeds internally in order to discover the truth about Mary. We know he likes Mary, but his priority is making sure John is safe. He discovers the truth about her and plays marriage counsellor to the Watsons. If Sherlock were truly as selfish as many act like he is, he wouldn’t have done this. He would be happy if John lived with him again and they went back to solving crimes all the time. But Sherlock has grown. He knows those days are over. John has chosen Mary and moved on with his life. John wants to be with Mary, even if he is angry at her for her deception. That is why he becomes so angry at her. Because even after all the lies, he still loves her. And in the end, Sherlock is willing to make the ultimate sacrifice for their happiness. He makes himself a murderer and it is only by sheer luck that he is able to get out of a suicide mission.

Sherlock and John are never going to be the same after Reichenbach. They are never again going to be living together, inseparably. Their relationship has settled into something new, which is good. All relationships must grow and change. They have admitted they love each other dearly and are desperately important to one another. But Mary is the most important person in John’s life now. And Sherlock is all right with that, willing to do just as much to protect her as he would John.

They have truly gotten to the point of being each other’s best friends.

JOHN AND MARY (AND SHERLOCK) 



 We come into this relationship already in progress. We’ve seen John with other women before. We know he’s a bit of a hound. Even he had trouble keeping his girlfriends straight. But with Mary, we’re introduced to the relationship about to take the big step of engagement.

As stated above, John’s proposal to Mary suggests that she saved him. That he was still in the midst of mourning Sherlock when he met her. But Mary was able to get him out of it. She is the best thing that happened to him and John has no hesitance in asking her to marry him.

Their relationship is fun and supportive. They have no trouble teasing one another. They feel real in a way that a lot of television couples don’t. While this probably does have a lot to do with the fact Martin and Amanda are partners, it is definitely in the writing as well. Of course, the part of Mary was specifically written for Amanda. It feels easy.

Mary is never presented as a threat to the Sherlock and John dynamic. Jeanette was treated as an interloper. Sherlock can’t remember her name and she’s very cruel– even throwing on a rather homophobic comment– when John is just trying to keep Sherlock off drugs. Even Sarah is presented as something of an obstacle. Sherlock is very wary of her and displeased with her presence. Mary and Sherlock immediately have a rapport. They understand each other. Sherlock reads her and overlooks something because she makes John happy. Of course, it might have been better if he’d talked about it with her, but if wishes were horses… The only deduction he makes out loud regarding them is to Mary’s benefit, as she doesn’t like John’s moustache (of course, it suits Sherlock as well).

I know what you’re thinking… Why are you talking about Mary and Sherlock’s relationship so much when this is supposed to be about John and Mary? I could probably write a whole section about Mary and Sherlock’s relationship, but it is so tied up in John and Sherlock’s relationship that there would be too much overlap.

If Sherlock had not returned, I think John and Mary would have been very happy together. We already see they were moving towards commitment. But with Sherlock’s return, Sherlock’s approval of Mary becomes very important. Understanding Sherlock is part and parcel with understanding John. Mary is accepting of the friendship, even encouraging it.

I’ve seen lots of anti-Mary meta suggesting she’s selfish and just out for her own interests. If this were the case, she would not have encouraged John to continue his friendship with Sherlock. She would not have gotten John to take Sherlock out on cases, knowing it’s what both men want. Sherlock Holmes is one of the few men in the world who could figure out who she is. Yet she not only encourages John’s friendship with him, she forms her own. She likes him and she knows that John needs Sherlock. If she were truly selfish, she would have encouraged John to stay away, as he wanted to in The Empty Hearse. 

As revealed in the third episode, Mary has lied to John about her past– including her name. She is a CIA assassin. But this in no way invalidates her relationship with John. She does not have a relationship with John to hide that. She had already been living as Mary Morstan for four years before she met him. If anything, John is the last person she should be with to hide herself. He worked as a detective’s assistant (a detective who shows up during their relationship). But she honestly fell in love with him, and he with her. While Mary has lied about her name and her past, she is not lying about who she is now. Both of them recognize things in each other– that they were people who liked danger and adrenaline rushes but were suppressing it.

John has every right to be angry with Mary after what he finds out. And it does take him months to come to terms with it. This is very truthful. And the fact he is able to put it behind him shows the strength of their love. It doesn’t matter what Mary did in the past, because she is the sum of her experiences and it made her the person John has fallen in love with. Who A.G.R.A was doesn’t matter, as she’s now Mary Watson, the woman John loves.

I truly believe that these two are going to be solid. After what they went through in His Last Vow, an atom bomb couldn’t shake their relationship. I also don’t think Moffat and Gatiss are so heartless that they will kill Watson’s very pregnant wife or kill both her and the baby (or leave the baby around, which frankly doesn’t make sense from a storytelling standpoint as it would be too inconvenient for storytelling). Remember: Moffat is the one who wrote “Everybody lives. Just today, everybody lives.”. He actually is far less cruel when it comes to killing off characters as fandom likes to pretend. Mary is the long-haul. This is John Watson’s future.

SHERLOCK AND MYCROFT 


We’ve had tantalizing hints as to the relationship between Sherlock and Mycroft in the first two series. But the third one really gets into detail as to what their past was like and what the truth of their current relationship is.

Previously, they’ve mostly just been antagonistic towards each other. While they still are, it becomes very clear just how much they mean to each other. For years, they were the only ones who understood each other. While Sherlock has moved on and found other companions, Mycroft still shies away from it. Sherlock worries about his loneliness, hiding it behind a veneer of mocking.

Much is spent on Mycroft as the big brother, looking after Sherlock. While everything is hidden by sniping, he’s always looking out for Sherlock. Mycroft goes undercover in order to save Sherlock from torture. Mycroft comes to see Sherlock when John has rebuked him. Mycroft and Sherlock talk on the phone at John’s wedding and Mycroft worries about Sherlock now that his friend is getting married. Mycroft comes immediately when Sherlock has relapsed. Mycroft is forced to deal with the fall out of Sherlock’s murder of Magnussen.

Sherlock knows how his brother sees him and he uses it in his own mind palace. Mind Palace Mycroft is trying to help him out, trying to get him to survive, but he does it by berating him. It is the way Mycroft shows his concern for Sherlock, by being the harsh older brother.

Mycroft is always concerned with Sherlock. When we are first introduced to him he says “I worry about him. Constantly.”. Series three truly shows this. We find out why he worries. It’s not because he thinks Sherlock will embarrass him. It is because he thinks Sherlock is going to get himself killed or worse, and that loss would break his heart. We’re given a tantalizing hint that they had another brother who met a bad end. Mycroft worries the same will happen to Sherlock.

For all of his worries and interventions, he can’t save Sherlock from himself. When Sherlock finally kills Magnussen, the ice man melts. He sees his brother as he always has– a little boy he’s tried to protect. Only he can’t protect him any longer. He has gone too far.

Sherlock has always seen Mycroft as an annoying tether. But we know Mycroft is smarter than Sherlock. He knew what Sherlock was capable of, what Sherlock’s life would lead him to. He was desperately trying to avert that in order to protect himself. In a world of goldfish, his brother is the one person he can talk to. He loves him deeply and he feels he needs to use the power of the entire British government in order to save him from himself.

In the end, Sherlock is sent off. But Moriarty returns. Could someone else combat against Moriarty? Hell yes. The man who calls Sherlock back could match wits with Moriarty and probably come out on top. But it is a convenient excuse.

Because, as Sherlock said, Mycroft can’t deal with a broken heart.

SHERLOCK AND MOLLY 



This is the relationship I’d originally started writing about, but I felt the need to write about all of the relationship developments. The fact that is was my original intention is why it’s so much longer than the others. Of course– cards up front– I’m entirely biased. But I think even if I hadn’t liked the idea of Sherlock and Molly, I’d be intrigued by their relationship as presented in series three.

If this series were called anything other than Sherlock and Sherlock Holmes had a different name, I think there would be a lot more people saying they were setting up a romance between these two. Just to be clear, while I liked the idea of these two, it was never something I sought out in canon. When I was on Three Patch Podcast, I actually said that. I didn’t want Molly to get savaged by the fandom for being in a relationship with Sherlock, so I hoped it didn’t happen.

That changed with Series Three. The writers have made me root for it to happen canonically.

Molly’s feelings for Sherlock have been clear since the beginning of the show. She had a crush on him. This was played for laughs in the first series. But by the second, it had changed. It had become serious. I think this was because Molly’s feelings had changed.

Molly no longer had a crush on Sherlock. Molly knew who Sherlock was and she was in love with him. Sherlock doesn’t realize this until A Scandal in Belgravia. Because of this love, Molly was willing to put her job, reputation and even her life on the line in order to help Sherlock with the Fall.

We pick up in Series Three with their relationship drastically changed. After John, Molly is the first person Sherlock goes to see. The scene is wordless, just sharing small smiles with each other.

Sherlock then asks Molly out. This scene is set up as nothing but a date. It has romantic music and Sherlock shuffling towards her. Molly thinks he’s going to ask her out to dinner, but he asks her to solve crimes. He assures her she’s not there to “be John” but to “be herself”. He wants her there, because he wants her there. They share flirtatious looks with one another. He asks her to go get something to eat when they’re done. He tells her how she mattered the most. If one actually looks at what happened during the Fall, Molly’s part is actually very minor. It’s Mycroft’s show. Molly is the one who mattered the most to Sherlock personally.

What confirms that the scene had romantic connotations is Sherlock’s comment about Molly “not being able to do this again” because of her engagement. If the situation had been meant to be platonic, of course they could’ve gone out and solved crimes together. What’s to stop a modern woman who happens to be a pathologist from solving crimes on the side, regardless of martial status. It is not just two friends going out together.

Sherlock congratulates her on her engagement, but there is a distinct sadness to everything he’s saying. He doesn’t say he’s happy for her. He says he hopes she’s happy. He smiles, but it doesn’t quite reach the eyes. Molly tells him about her fiancé, but she never says she loves him. It’s random information. The warmest she gets is “he’s nice”. Sherlock assures her that not every man she falls for can he a sociopath. He says it with melancholy.

But he leaves before he hears her say “Maybe it’s just my type.”

Had they not done this, the scene could have played as a good-bye scene. Saying good-bye to Molly’s former feelings. But they left it significantly open (more on that later).

When we finally meet Tom, we see he looks a lot like Sherlock. Molly has not moved on, despite her claim to Lestrade (also, if you have to SAY it, you haven’t). Sherlock doesn’t know how to process it and leaves very quickly.

In The Sign of Three, there’s very little Sherlock and Molly interaction. But Molly worries about how he will handle being a best man. She’s the only one who is. Molly, knowing Sherlock well, is the one who is right. He’s panicked about it.

Their only scene together is Molly helping with the stag night. It’s awkward. Oh God, is it awkward. Sherlock asks after Tom and Molly assures him they’re having quite a lot of sex, which he doesn’t know what to make of. It is again, “look how much I’ve moved on”.

Sherlock’s interactions with Molly in The Empty Hearse and The Sign of Three can be connected to the scene he has with Mary’s ex-boyfriend. Sherlock strongly wards David off, knowing he still has feelings for Mary. He’s protective of Mary and John’s relationship. He doesn’t think it’s appropriate for someone with feelings for an engaged woman to be around her. So in The Empty Hearse he tells Molly he can’t solve cases with her anymore than that one time and the only other time they converse, he makes her to bring up Tom.

Molly tries hard with Tom, kissing him at the wedding (with Sherlock watching in the background). She’s trying very hard to move on. But she’s clearly embarrassed by him and protective of Sherlock. She is still the only one who “sees” Sherlock, sadly leaving the wedding. But she doesn’t pursue him.

Molly isn’t allowed to go after him, because this is an homage to “The Green Death” episode of Doctor Who. However, the homage isn’t perfect. If it were, John (who is the Jo Grant in this situation) would have been the one to see Sherlock. But despite moving on, Molly still sees Sherlock in a way no one else does.

By His Last Vow, Molly’s engagement is over. But that doesn’t mean things are clear for her and Sherlock. She does a drugs test on him and finds out he’s been using heroin.

We’ve seen Molly call Sherlock out before, but this was a stunning moment. She has so much love and concern for him, she’s just going to slap the crap out of him for what he’s done. You can see on Sherlock’s face how stunned and ashamed he is. But he lashes out at her, pointing out how her engagement has ended. But Molly won’t put up with it, demanding he stop it.

We get a brief scene of Molly, tantalizingly dropping a hint of Sherlock staying not only at her flat, but in her bed, at some point. Most likely, this was after his supposed death. It can be taken as Sherlock kicking her out of her room… But it can be taken as them sharing a bed too. It’s very grey.

Of course, it would be remiss not to mention Molly’s place in Sherlock’s mind palace. I’ve heard people say Molly was the obvious choice. No, actually… She wasn’t. Molly is a pathologist. She deals with dead bodies. John was not only a doctor, but an army doctor. He has dealt with live gunshot victims. Not only that, he’s been a live gunshot victim. He would’ve been the obvious choice. But Sherlock’s mind chose Molly. Mycroft and Anderson are also in the mind palace. But Anderson is cold fact and Mycroft is berating him. Molly is getting him to focus, encouraging. Molly is making him fight.

What is most intriguing about the relationship between Sherlock and Molly in series three is the lack of resolution. When we leave them, Molly is absolutely furious at Sherlock out of worry. We never get any assurance they have made up.

If Moffat and Gatiss had wanted to shut the door on Sherlock and Molly, they had an easy out. It had been two years and they set up that Molly HAS moved on. They could’ve had Molly be engaged and that was the end of it. She could’ve just been a friend and a confidant, but they have her with feelings for Sherlock and her relationship floundering. Tom was a road block. Everything between them set up Sherlock’s changed feelings and the changes in their relationship. But it was left very open for series four (and possibly five).

THE SHERLOCK-MARY AND JOHN-MOLLY PARALLELS 

With Sherlock and John as the cornerstone of the series, it’s interesting to look at the women in both of their lives and see the comparisons that can be drawn.

It is said outright in His Last Vow that Mary and Sherlock are very much alike. John makes a joke about how they should’ve gotten married. John is attracted to dangerous people. That is why he is best friends with Sherlock. He then falls in love with a woman who is just as dangerous. Mary is clever and dangerous and gets along with Sherlock because of their similarities.

I’ve written before about the similarities between John and Molly. They are both medical professionals who assist Sherlock. They are the ones who will call him out on being an asshole. This series draws even more comparisons between the two, with their choice of companions. While John needs the fact he is attracted to dangerous people pointed out to him, Molly knows it already. Sherlock, feeling he’s not good enough for Molly, tells her not every man she falls for can be a sociopath. But she knows she’s still in love with him and says maybe she has a type. She’s admitted what John comes to terms with by the end of the series. While Molly has admitted it, only the next series will tell if it will lead to anything.

Tuesday, 19 August 2014


Moriarty’s role in Sherlock’s Mind Palace
 (Sherlock meta by Loudest Subtext in Television)

Anonymous said: I just found your blog today, and I gotta say, your meta is absolutely fascinating (and incredibly comforting). I was just wondering if you had any thoughts about the appearance of Moriarty in Sherlock's mind palace and his connection to Sherlock's emotions?

Loudest Subtext in Television: 

It’s been my reading since the pool scene that Sherlock is terrified of Moriarty not because Sherlock is terrified of his own death — he isn’t, as is made clear from the first episode and confirmed over and over for the rest of the show — but because Moriarty could have killed John.  Sherlock is never scared to meet Moriarty alone, and he never lets John come along.

This reading was confirmed in The Hounds of Baskerville when the gas, which we’re told makes people see their worst fear and what they expect to see, makes Sherlock see Moriarty instead of Frankland.

Moriarty not only represents fear to Sherlock, but fear that something will happen to John.  And what’s sweet is that for Sherlock, those are the same thing.  Aww.  And sure enough, it’s Moriarty that says John Watson is in danger, jolting Sherlock back to life.  John is literally Sherlock’s reason for living.

Moriarty also tells Sherlock that pain and loss are going to happen, but Sherlock doesn’t have to fear those things.  Ironically, it’s Moriarty that gives Sherlock the incredible courage to sacrifice everything for John in His Last Vow and endure the consequences.

Dear Jim, please will you fix it for me so I’m not afraid to love?